Although lacking Bruce Wagner’s rapier bons mots and mordant sarcasm, a pleasant slow roast of Hollywood’s studied inanity,...
Reality-TV packager’s crisis of conscience drives murder plot in a comic’s debut novel.
Trent, newly promoted VP of Nova, which hawks reality-show concepts to the networks and cable, got where he is by never underestimating viewers’ hunger for programs like Pregnant Hookers and Extreme Animal Lovers (a show about bestiality). So when Stewart Dyson, his boss P.T. Beauregard’s Vietnam comrade-in-arms and archrival, tries to recruit Trent to help reform Reality’s venality, he’s all ears. P.T., who has taken telegenic sleaze to the level of Sun Tzu’s Art of War, gloats over Dyson’s sudden, suspicious death, which happened while Dyson phoned Trent to warn him that his own life was in danger. Dyson’s plan to seed the market with socially responsible programs, in which he’d enlisted Trent’s surreptitious complicity, is scuttled. P.T. is now hell-bent on removing the final barrier to Nova’s hijacking of the airwaves, censorious FCC Chairman Ronald Armsburger. Trent is convinced that his volatile boss’s shadowy past conceals mob ties, so he enlists coworkers Max and Rachel to help thwart what he is certain is a planned hit on Armsburger during the latter’s L.A. visit. Max and Rachel, Trent’s bombastic lover, are also in on Trent’s last-ditch ploy to save American minds from further erosion by soulless reality shows: He’s going to kill P.T., take over Nova and launch his pet project, Samaritans, a kind of Pay It Forward with no payday. The fact that American minds aren’t exactly clamoring for more gravitas in their entertainment is lost on Trent, even as his best friend, Adam, finally succeeds in gainfully selling out with a screenplay chockablock with gratuitous violence and ersatz gangsta-speak. Although it stretches credulity that Trent would harbor such illusions without a background in public television, or that he’s desperate enough to murder, the final twist is a thoroughly credible surprise.
Although lacking Bruce Wagner’s rapier bons mots and mordant sarcasm, a pleasant slow roast of Hollywood’s studied inanity, complete with laugh-out-loud reality-show pitches.Pub Date: Nov. 1, 2006
ISBN: 0-89733-548-1
Page Count: 270
Publisher: Academy Chicago
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 2006
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
IN THE NEWS
SEEN & HEARD
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
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