Many sly references to present-day politics and postures keep what is essentially a very gloomy trip from total darkness.
The old ones were right. Hell is a real place, underground, right where they said it would be. Time to fix that hole in the basement.
Long, who flirted with the supernatural in The Reckoning (2004) and scared the bejeebers out of armchair mountain climbers with The Wall (2006), sends armies of characters climbing miles underground into the tunnels, caverns, trenches, streams and rivers comprising Hades, for millennia the home of Hadads, Homo sapiens’ older, smarter cousins. Hadads, who didn’t hesitate to chow down on their surface-dwelling kinfolk when attacked by the munchies, were civilized ages before anything like writing or arithmetic spread through Europe or China. As a matter of fact, it was Hadads who tipped us off to most of our useful “discoveries.” None of that ancient savvy was, however, enough to protect them against greedy humans armed with 21st-century weaponry or good old fatal viruses, which wiped out the Hadads shortly after the family reunion. Or, rather, almost wiped them out. In the near future—as World Powers are busy carving out underground spheres of influence in order to tap the tremendous wealth beneath their feet, engendering competition as fierce and formidable as any in the cold war era—Hadads reappear. They stage a stunning raid on Halloween night, snatching nubile and nearly nubile girls and dragging them below to become mothers to a new generation of Hadads. But Americans don’t surrender their daughters.
Many sly references to present-day politics and postures keep what is essentially a very gloomy trip from total darkness.Pub Date: Aug. 21, 2007
ISBN: 978-0-7432-8454-7
Page Count: 416
Publisher: Atria
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: July 1, 2007
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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