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CLING

Elevates the dystopian genre with snappy writing, well-drawn characters, intriguing back story, and bracing battles.

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In a post-apocalyptic wasteland, a woman with special powers and a small band of underground survivors take on a cruel warlord.

Some time after worldwide catastrophic events, few people live past the age of 40. An illness called Cling can be cured only with Clear, a rare substance that’s best found with the help of a “martyr,” a person who can also read minds—like Sadie, 35. She keeps her gift hidden and uses it sparingly (it can sicken or kill), which helps her win card games to buy fuel and avoid warlords such as Gen. Gash. That’s the world aboveground; underground are “moles,” descendants of the first survivors. Polymath Rafael “Rafa” Carrera Allende, 20, lives in one such community, an enlightened bastion. Locating a supply of Clear is crucial, so when the community’s expedition crosses paths with Sadie (deathly ill after overusing her gift), she seems like the answer to its problems. Complicating matters is a tunnel recently discovered that leads from the community to a spot beneath Gash’s lair. There’s also an undeclared war between Gash and Vidar, an arms dealer who employs bounty hunter Finn, who is also Sadie’s ex. They still have a connection, even if she won’t admit it. Finn, Vidar, the community, and Sadie have all the ingredients for a knockdown battle that could end Gash once and for all, free his slaves, obtain Clear, and keep civilization going. Though post-apocalyptic novels set in a Mad Max–like landscape aren’t new, Menapace (Side Effects, 2016, etc.) and debut author Bravo make their hard-bitten world come alive with telling moments, such as a border-town tavern that offers “bowls of what was billed to be cricket mush, but that Sadie knew was roach.” In such a tale, Rafa’s community could easily be made to seem weak and namby-pamby, but the authors intelligently show the hard work, care, and tough-mindedness it takes to keep civilization going. At the same time, the good guys deliver very satisfying beat downs to the baddies in scenes of rousing, cinematic action.

Elevates the dystopian genre with snappy writing, well-drawn characters, intriguing back story, and bracing battles.

Pub Date: Dec. 14, 2016

ISBN: 978-0-9888433-7-0

Page Count: 228

Publisher: Mind Mess Press

Review Posted Online: Jan. 16, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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LONESOME DOVE

A NOVEL (SIMON & SCHUSTER CLASSICS)

This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.

Pub Date: June 1, 1985

ISBN: 068487122X

Page Count: 872

Publisher: Simon & Schuster

Review Posted Online: Sept. 30, 2011

Kirkus Reviews Issue: May 15, 1985

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