An intimate, poignant look at life at the margins of society.
Isolated lives shine from dark landscapes.
After his father suffered a heart attack in 2014, journalist Sharlet (English and Creative Writing/Dartmouth Coll.; Radiant Truths: Essential Dispatches, Reports, Confessions, and Other Essays on American Belief, 2014, etc.) traveled from his home on the Vermont/New Hampshire border to his father’s home in Schenectady, usually at night. “It seemed easier,” he writes, “the steep twisting road more likely to belong to me alone; the radio, when I could find a station, less clogged with news and yet more alive with voices. Night shift voices” that revealed “other people’s nightmares and dreams, projected onto the black night-glass of the car windows.” When he stopped for gas, food, or just to rest, he took snapshots, which he posted on Instagram along with moving narratives about the people he met during those interludes. Travels to Los Angeles, Nairobi, Russia, and Ireland yielded additional portraits of vulnerable “night shift voices,” individuals “around whom the veil of the world is very thin.” One of the longer pieces focuses on 61-year-old Mary Mazur, a disabled woman whose closest companion is a potted plant, which she carries with her when she forays out of her motel room, near midnight, to buy a Thanksgiving turkey. A mother at 19, her three children were taken from her around 1982, when she herself entered the social services system. Now, lonely and wheelchair-bound, she exclaims, “I’m not like everybody else!” Neither is Jared Miller, a “sweet soul” who started abusing drugs in the military and died of an overdose six months after Sharlet met him; or Charley Keunang, a homeless man in his 40s, killed by a police officer who claimed he reached for a gun—a claim contradicted by body-cam footage. Charley immigrated to the U.S. from Cameroon hoping to be an actor, got involved in a robbery, served 14 years in federal prison, and ended up on skid row. Gentle, dignified, and respectful, Charley was “one black life that mattered, no more or less than any other.”
An intimate, poignant look at life at the margins of society.Pub Date: Feb. 11, 2020
ISBN: 978-1-32-400320-5
Page Count: 320
Publisher: Norton
Review Posted Online: Oct. 13, 2019
Kirkus Reviews Issue: Nov. 1, 2019
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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