Will VanderMeer rally for a grand slam finale? Stay tuned: The last volume is scheduled for September.
After the chills and thrills of Annihilation, published in February 2014, this second volume in VanderMeer’s Southern Reach trilogy—a science fiction/horror hybrid—is an altogether quieter affair.
It had to be once VanderMeer decided to change the venue from Area X to the Southern Reach HQ. Area X is a spooky no man’s land controlled by an unknown entity (aliens?); 1,500 people have died there since its emergence 30 years ago. The Southern Reach is the secret government agency monitoring it, so we get office politics. Its last director, leader of the expedition described in Annihilation, is missing, presumed dead. This volume is narrated by the newly installed acting director, John Rodriguez, who wants to be called Control. That’s ironic, for unlike le Carré’s same-named pooh-bah, this Control’s authority is tenuous. He owes the job to his mother, a powerful figure at Central, and the assistant director, Grace, is determined to undermine him. Moreover, after three decades of failing to solve the riddle of Area X, Southern Reach is a backwater and morale is low; Control’s mission is to shake things up. First he must get a handle on Area X. He interviews the biologist, a survivor of the last expedition and protagonist of Annihilation, but draws a blank. She is stubbornly tight-lipped. He visits the border, bathed in a strange light, and watches video from the doomed first expedition. He reports to the Voice, a person in Central whose gender is disguised by technology. There are some minor frissons, as when Control discovers an unhinged scientist creating a nightmarish mural, but these are slim pickings compared to the horrors of Annihilation (an essential introduction). Nor does he measure up to the biologist in complexity. His background (Honduran sculptor father, multiple postings, multiple girlfriends) seems cobbled together, and the espionage elements, lackluster. Toward the end, there will be a spectacular development, a late reward after all the shadowboxing.
Will VanderMeer rally for a grand slam finale? Stay tuned: The last volume is scheduled for September.Pub Date: May 6, 2014
ISBN: 978-0-374-10410-8
Page Count: 240
Publisher: Farrar, Straus and Giroux
Review Posted Online: Feb. 25, 2014
Kirkus Reviews Issue: March 15, 2014
SEEN & HEARD
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.
Cormac McCarthy's The Road meets Chaucer's Canterbury Tales in this frightful medieval epic about an orphan girl with visionary powers in plague-devastated France.
The year is 1348. The conflict between France and England is nothing compared to the all-out war building between good angels and fallen ones for control of heaven (though a scene in which soldiers are massacred by a rainbow of arrows is pretty horrific). Among mortals, only the girl, Delphine, knows of the cataclysm to come. Angels speak to her, issuing warnings—and a command to run. A pack of thieves is about to carry her off and rape her when she is saved by a disgraced knight, Thomas, with whom she teams on a march across the parched landscape. Survivors desperate for food have made donkey a delicacy and don't mind eating human flesh. The few healthy people left lock themselves in, not wanting to risk contact with strangers, no matter how dire the strangers' needs. To venture out at night is suicidal: Horrific forces swirl about, ravaging living forms. Lethal black clouds, tentacled water creatures and assorted monsters are comfortable in the daylight hours as well. The knight and a third fellow journeyer, a priest, have difficulty believing Delphine's visions are real, but with oblivion lurking in every shadow, they don't have any choice but to trust her. The question becomes, can she trust herself? Buehlman, who drew upon his love of Fitzgerald and Hemingway in his acclaimed Southern horror novel, Those Across the River (2011), slips effortlessly into a different kind of literary sensibility, one that doesn't scrimp on earthy humor and lyrical writing in the face of unspeakable horrors. The power of suggestion is the author's strong suit, along with first-rate storytelling talent.
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.Pub Date: Oct. 2, 2012
ISBN: 978-1-937007-86-7
Page Count: 432
Publisher: Ace/Berkley
Review Posted Online: Sept. 1, 2012
Kirkus Reviews Issue: Sept. 15, 2012
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