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WAITING FOR BRITNEY SPEARS

A TRUE STORY, ALLEGEDLY

A bold, inventive foray into the dark netherworld of pop star fame.

A gimlet-eyed excavation of Britney Spears’ ascent to pop stardom and the insatiable celebrity machine that consumed her.

In this fizzy romp through Spears’ meteoric rise and painfully public downfall, music writer and cultural critic Weiss unveils the toxic celebrity ecosystem that both created and consumed pop’s most compelling millennial icon. Through a narrative style reminiscent of Hunter S. Thompson’s “Gonzo” journalism, Weiss launches his story at the production of Spears’ career-defining “…Baby One More Time” video, in which he served as an extra. “Every celebrity crush became irrelevant,” Weiss writes. “Britney was the opposite of everything I’d known. A sequined mirage and airbrushed myth. It felt like I’d just watched a comet be born.” When Weiss lands a job at a Los Angeles–based celebrity tabloid in the early 2000s, he spends years tracking Spears’ every move and spiraling breakdown, not just capturing the nation’s (and his own) obsession with Spears but crafting an incisive portrait of the music industry’s seedy underworld. Through his colorful lens as a reporter, we experience trendy clubs, wild parties, and frantic car chases through L.A. The tabloids themselves emerge as characters in this unfolding drama of American celebrity worship and exploitation. As Weiss observes of the “ravenous desire for celebrity gossip”: “If the tabloids were once on the fringes of pop culture, they’re now international big business. The lines between news, sports, and entertainment have been erased.” While often mesmerizing and brutally honest in its depiction of fame’s dark side, Spears’ crash-and-burn story, stretched across 400 pages, occasionally feels excessive and repetitive. Yet Weiss proves himself a formidable talent with a keen eye for capturing the pulse of the moment, a writer whose future work will be well worth anticipating.

A bold, inventive foray into the dark netherworld of pop star fame.

Pub Date: June 10, 2025

ISBN: 9780374606138

Page Count: 400

Publisher: MCD/Farrar, Straus and Giroux

Review Posted Online: March 8, 2025

Kirkus Reviews Issue: April 1, 2025

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THE GREATEST SENTENCE EVER WRITTEN

A short, smart analysis of perhaps the most famous passage in American history reveals its potency and unfulfilled promise.

Words that made a nation.

Isaacson is known for expansive biographies of great thinkers (and Elon Musk), but here he pens a succinct, stimulating commentary on the Founding Fathers’ ode to “life, liberty, and the pursuit of happiness.” His close reading of the Declaration of Independence’s second sentence, published to mark the 250th anniversary of the document’s adoption, doesn’t downplay its “moral contradiction.” Thomas Jefferson enslaved hundreds of people yet called slavery “a cruel war against human nature” in his first draft of the Declaration. All but 15 of the document’s 56 signers owned enslaved people. While the sentence in question asserted “all men are created equal” and possess “unalienable rights,” the Founders “consciously and intentionally” excluded women, Native Americans, and enslaved people. And yet the sentence is powerful, Isaacson writes, because it names a young nation’s “aspirations.” He mounts a solid defense of what ought to be shared goals, among them economic fairness, “moral compassion,” and a willingness to compromise. “Democracy depends on this,” he writes. Isaacson is excellent when explaining how Enlightenment intellectuals abroad influenced the founders. Benjamin Franklin, one of the Declaration’s “five-person drafting committee,” stayed in David Hume’s home for a month in the early 1770s, “discussing ideas of natural rights” with the Scottish philosopher. Also strong is Isaacson’s discussion of the “edits and tweaks” made to Jefferson’s draft. As recommended by Franklin and others, the changes were substantial, leaving Jefferson “distraught.” Franklin, who emerges as the book’s hero, helped establish municipal services, founded a library, and encouraged religious diversity—the kind of civic-mindedness that we could use more of today, Isaacson reminds us.

A short, smart analysis of perhaps the most famous passage in American history reveals its potency and unfulfilled promise.

Pub Date: Nov. 18, 2025

ISBN: 9781982181314

Page Count: 80

Publisher: Simon & Schuster

Review Posted Online: Aug. 29, 2025

Kirkus Reviews Issue: Oct. 1, 2025

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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