A bold, inventive foray into the dark netherworld of pop star fame.
A gimlet-eyed excavation of Britney Spears’ ascent to pop stardom and the insatiable celebrity machine that consumed her.
In this fizzy romp through Spears’ meteoric rise and painfully public downfall, music writer and cultural critic Weiss unveils the toxic celebrity ecosystem that both created and consumed pop’s most compelling millennial icon. Through a narrative style reminiscent of Hunter S. Thompson’s “Gonzo” journalism, Weiss launches his story at the production of Spears’ career-defining “…Baby One More Time” video, in which he served as an extra. “Every celebrity crush became irrelevant,” Weiss writes. “Britney was the opposite of everything I’d known. A sequined mirage and airbrushed myth. It felt like I’d just watched a comet be born.” When Weiss lands a job at a Los Angeles–based celebrity tabloid in the early 2000s, he spends years tracking Spears’ every move and spiraling breakdown, not just capturing the nation’s (and his own) obsession with Spears but crafting an incisive portrait of the music industry’s seedy underworld. Through his colorful lens as a reporter, we experience trendy clubs, wild parties, and frantic car chases through L.A. The tabloids themselves emerge as characters in this unfolding drama of American celebrity worship and exploitation. As Weiss observes of the “ravenous desire for celebrity gossip”: “If the tabloids were once on the fringes of pop culture, they’re now international big business. The lines between news, sports, and entertainment have been erased.” While often mesmerizing and brutally honest in its depiction of fame’s dark side, Spears’ crash-and-burn story, stretched across 400 pages, occasionally feels excessive and repetitive. Yet Weiss proves himself a formidable talent with a keen eye for capturing the pulse of the moment, a writer whose future work will be well worth anticipating.
A bold, inventive foray into the dark netherworld of pop star fame.Pub Date: June 10, 2025
ISBN: 9780374606138
Page Count: 400
Publisher: MCD/Farrar, Straus and Giroux
Review Posted Online: March 8, 2025
Kirkus Reviews Issue: April 1, 2025
A deeply learned dive into the frightening visions of technocrats past and present.
The noted historian and New Yorker staffer looks into a future ruled by machines.
Thirty-odd years ago, writes Lepore, liberal democracies of old were being transformed into both authoritarian or autocratic regimes and by “automatocracy, rule by automation, government by machine-driven computation, prediction, and persuasion.” In this pointed rejoinder to Hannah Arendt’s Origins of Totalitarianism (1951), which foresaw a world in which humans were essentially superfluous, Lepore charts a long history that extends deep into the “machine age,” beginning in the 17th century, which saw “the artificial as existing not only outside the natural but above it, an improvement upon it.” In this conception, humans were fallible, while machines faithfully and unfailingly obeyed the rules set for them. A logical progression followed in the 1920s with the rise of the Technocracy movement, a variety of fascism widely accepted in the U.S. that held that far from being free and equal, humans should be governed by scientists and engineers who alone “have the intelligence and education to understand the industrial operations that lie at the heart of twentieth-century life.” It’s a short hop from there to the present, with tech billionaires pushing AI and, in the case of the influential “self-described ‘neo-monarchist’” Curtis Yarvin, a dictatorship aided by it. In all this, Lepore writes, it is not just the human animal that suffers but all animals and all habitats, which can only worsen with the incessant demands for energy, rare earths, and water that AI requires. And what “humans crave, in that artificial world, is nature,” a nature that is increasingly silenced. This undemocratic world, benefiting only the wealthy at the expense of all else, is a prison of screens and keyboards from which, she writes memorably, “What is required is to imagine an escape, and then to conduct it.”
A deeply learned dive into the frightening visions of technocrats past and present.Pub Date: Aug. 25, 2026
ISBN: 9781324098423
Page Count: 320
Publisher: Liveright/Norton
Review Posted Online: May 18, 2026
Kirkus Reviews Issue: June 15, 2026
PERSPECTIVES
PERSPECTIVES
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
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