An authoritative analysis that will appeal mainly to students and scholars.
A labor historian traces political and cultural forces that turned the 1970s into a swan song for the American working class.
Cowie (History/Cornell Univ.; Capital Moves: RCA’s Seventy-Year Quest for Cheaper Labor, 1999, etc.) opens this rich but overlong book with an account of the many strikes and other signs of labor revival in the early ’70s, when young, hip miners, steelworkers and others engaged in insurgencies reflecting widespread rank-and-file dissent. In that hopeful time, Rolling Stone hailed Eugene Debs–like steelworker Eddie Sadlowski as an “old-fashioned hero of the new working class” when he made his failed bid for union leadership. By mid-decade, the United States was wracked by stagflation, Watergate and the continuing failures in Vietnam, and had begun making a watershed transition from the optimism of the New Deal to the diminished expectations of the present. As organized labor’s power waned, the concept of a unified “working class” shattered and blue-collar whites took cultural refuge in Ronald Reagan’s populist-right affirmation of God, patriotism and patriarchy. With incisive discussions of the era’s popular culture, Cowie shows how the working class’s evolving struggle to find a place in the eventful decade was evinced in music (Merle Haggard’s “Okie from Muskogee,” Bruce Springstein’s “Born in the U.S.A.”), films (Joe, Saturday Night Fever) and TV shows (All in the Family). By the end of the decade, writes the author, the cry of “I’m dying here,” made by Al Pacino playing a blue-collar bank robber in Dog Day Afternoon, could be seen as a lament for the disarray of blue-collar identity, writes the author. By 1980, the TV show Dallas, featuring amoral oil baron J.R. Ewing, was America’s favorite, and “a Reaganesque cross-class alliance” united “white worker and rich man in common cause—to repeal the 1960s.” Packed with interesting stories, Cowie’s book explores all the complexities of blue-collar yearning in the period and shows how the post–New Deal working class, whose needs the country had once addressed, became America’s forgotten workers.
An authoritative analysis that will appeal mainly to students and scholars.Pub Date: Sept. 1, 2010
ISBN: 978-1-56584-875-7
Page Count: 480
Publisher: The New Press
Review Posted Online: June 3, 2010
Kirkus Reviews Issue: July 1, 2010
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.
Rootin’-tootin’ history of the dry-gulchers, horn-swogglers, and outright killers who populated the Wild West’s wildest city in the late 19th century.
The stories of Wyatt Earp and company, the shootout at the O.K. Corral, and Geronimo and the Apache Wars are all well known. Clavin, who has written books on Dodge City and Wild Bill Hickok, delivers a solid narrative that usefully links significant events—making allies of white enemies, for instance, in facing down the Apache threat, rustling from Mexico, and other ethnically charged circumstances. The author is a touch revisionist, in the modern fashion, in noting that the Earps and Clantons weren’t as bloodthirsty as popular culture has made them out to be. For example, Wyatt and Bat Masterson “took the ‘peace’ in peace officer literally and knew that the way to tame the notorious town was not to outkill the bad guys but to intimidate them, sometimes with the help of a gun barrel to the skull.” Indeed, while some of the Clantons and some of the Earps died violently, most—Wyatt, Bat, Doc Holliday—died of cancer and other ailments, if only a few of old age. Clavin complicates the story by reminding readers that the Earps weren’t really the law in Tombstone and sometimes fell on the other side of the line and that the ordinary citizens of Tombstone and other famed Western venues valued order and peace and weren’t particularly keen on gunfighters and their mischief. Still, updating the old notion that the Earp myth is the American Iliad, the author is at his best when he delineates those fraught spasms of violence. “It is never a good sign for law-abiding citizens,” he writes at one high point, “to see Johnny Ringo rush into town, both him and his horse all in a lather.” Indeed not, even if Ringo wound up killing himself and law-abiding Tombstone faded into obscurity when the silver played out.
Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.Pub Date: April 21, 2020
ISBN: 978-1-250-21458-4
Page Count: 400
Publisher: St. Martin's
Review Posted Online: Jan. 19, 2020
Kirkus Reviews Issue: Feb. 15, 2020
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