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FAT TIME

AND OTHER STORIES

A potentially transformative exhibition of visionary storytelling.

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A collection of wildly inventive and intensely realized stories provide electrifying jolts to the very notion of “Black Experience.”

Allen is both a poet and novelist whose prose reverberates with colorful imagery and crystalline lyricism. In his new story collection, he shows greater assurance with plotting and characterization, which only bolsters his agile imagination. In a few pages at a time, Allen can endow even the ghosts of dead children, as in “Four Girls,” with vibrant, combustible, and poignant personalities. In similar fashion, he can persuasively envision real-life personages from the recent past, as in “Heads,” which has rock god Jimi Hendrix hanging out with British painter Francis Bacon somewhere around the disquieting hinge of the 1960s and ’70s, each man reaching for his own transcendence through distortions of time and space. And speaking of space: In “Orbits,” Allen reimagines the near conclusion of Muhammad Ali’s boxing career on a planet Earth with émigrés from the moon helping him prepare for his 1980 bout against Larry Holmes. Other prominent Black men include Jack Johnson, the Ali of his era, who’s tearing through Australia (“Fat Time”), and Miles Davis, gloomily huddled in his Manhattan apartment (“Pinocchio”). Not all of Allen’s characters are famous; “Big Ugly Baby” chronicles the yearslong erotic intimacies between two at-risk teen boys, while in “Fornication Camp,” couples gather at an Illinois religious retreat in a villa moved from Italy and reconstructed piece by piece by Abraham Lincoln. The range of subject matter and the ingenuity of the storylines draw readers in, but it’s Allen’s intricately poetic language that keeps them there, as when he describes Hendrix noodling on his guitar and how he “knows how to worry chords into the black shape of time. Knows how to anchor weight on a string and sink a barbed note into the muddy depths below, then bend that string and yank up a struggling catfish.” The whole collection hums and throbs with such startling craft.

A potentially transformative exhibition of visionary storytelling.

Pub Date: June 20, 2023

ISBN: 9781644452394

Page Count: 288

Publisher: Graywolf

Review Posted Online: March 27, 2023

Kirkus Reviews Issue: April 15, 2023

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  • New York Times Bestseller

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THE CORRESPONDENT

An affecting portrait of a prickly woman.

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  • New York Times Bestseller

A lifetime’s worth of letters combine to portray a singular character.

Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.

An affecting portrait of a prickly woman.

Pub Date: May 6, 2025

ISBN: 9780593798430

Page Count: 304

Publisher: Crown

Review Posted Online: Feb. 15, 2025

Kirkus Reviews Issue: March 15, 2025

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HALF HIS AGE

A debut novel with bright spots, but unbalanced and lacking in finesse.

A high school senior pursues an affair with her teacher.

Seventeen-year-old Waldo, the narrator of McCurdy’s fiction debut, lives in Anchorage, Alaska, with her mother, though she’s long been the parent in their relationship. She heats her own frozen meals and pays the bills on time while her mom chases man after man and makes well-meaning promises she never keeps. Waldo blows her Victoria’s Secret wages on online shopping sprees and binges on junk food, inevitably crashing after the fleeting highs of her indulgences. Mr. Korgy, her creative writing teacher, has “thinning hair and nose pores”; he’s 40 years old and married with a child. Nevertheless—or possibly as a result?—Waldo’s attraction to him is “instant. So sudden it’s alarming. So palpable it’s confusing.” Mr. Korgy professes to want to keep their friendship aboveboard, but after a sexual encounter at the school’s winter formal that she initiates, an affair begins. Will this reckless pursuit be the one that actually satisfies Waldo, and is she as mature as she thinks she is? Waldo is a keen observer of people and provides sharp commentary on the punishing work of female beauty. Readers of McCurdy’s bestselling memoir, I’m Glad My Mom Died (2022), will surely be curious about the tumultuous mother-daughter relationship, and it is one of the novel’s highlights, full of realistic pity and anger and need. (“I want to scream at her. I want her to hug me.”) Unfortunately, the prose is often unwieldy and sometimes downright cringeworthy: When Waldo tells Mr. Korgy she loves him, “The words hang in the air in that constipated way they do when you know that you shouldn’t have said them.” Waldo frequently lists emotions and adjectives in triplicate, and events that could be significant aren’t sufficiently explored or given enough space to breathe before the novel races on to the next thing.

A debut novel with bright spots, but unbalanced and lacking in finesse.

Pub Date: Jan. 20, 2026

ISBN: 9780593723739

Page Count: 288

Publisher: Ballantine

Review Posted Online: Nov. 22, 2025

Kirkus Reviews Issue: Jan. 1, 2026

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