A provocative, poetic foray into melancholia from both a personal and historical perspective. While working as a psychiatric caseworker in Missoula, Minn., first-time author Smith is thrust into a depression that even the newest antidepressants can—t alleviate. In attempting to understand his melancholia, Smith researches this mystifying condition, which continues to afflict people worldwide. Regardless of how it originates, concludes Smith, clinical depression results from biochemical changes in the brain. And half of those with one episode relapse within 18 months, while some will be plagued by depression for life. Smith is particularly effective in describing his own depression, when everyday details overwhelm him and his only company is “Mr. Shoulder,” who monitors his every thought and mood to the point of paralyzing him. He writes “that my life felt distant even to me.” Also intriguing is Smith’s chronicle of society’s changing views of depression. In Renaissance Europe, in Elizabethan England, and to the 19th-century Romantics in Germany and Great Britain, depressive illness was deemed a great gift. People even feigned melancholia, because it was considered an experience that deepened and enriched one’s soul. With our society’s emphasis on productivity, depression is regarded as an unwelcome intrusion that is costly to corporate America. The contemporary solution is a quick fix that allows expedient return to the marketplace. And it’s this quick chemical fix that troubles Smith. Only when he abandons medication and allows his illness to awaken him spiritually and metaphysically does he conquer his depression. Smith continues to take jobs to help others with psychological problems and brain injuries, and is critical of patients— families “who preferred the memory [of the victim when healthy] to the present reality—[and whose] spouses had all filed for divorce.” Brimming with insight and intelligence, an endearing memoir. (Author tour)
Pub Date: Sept. 1, 1999
ISBN: 0-86547-542-3
Page Count: 304
Publisher: North Point/Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1999
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
An autobiography as toxic and addictive as any drug its author has ever ingested.
The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.
Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.
An autobiography as toxic and addictive as any drug its author has ever ingested.Pub Date: Jan. 25, 2010
ISBN: 978-0-446-56989-7
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2009
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