WHERE THE ROOTS REACH FOR WATER

A PERSONAL AND NATURAL HISTORY OF MELANCHOLIA

A provocative, poetic foray into melancholia from both a personal and historical perspective. While working as a psychiatric caseworker in Missoula, Minn., first-time author Smith is thrust into a depression that even the newest antidepressants can—t alleviate. In attempting to understand his melancholia, Smith researches this mystifying condition, which continues to afflict people worldwide. Regardless of how it originates, concludes Smith, clinical depression results from biochemical changes in the brain. And half of those with one episode relapse within 18 months, while some will be plagued by depression for life. Smith is particularly effective in describing his own depression, when everyday details overwhelm him and his only company is “Mr. Shoulder,” who monitors his every thought and mood to the point of paralyzing him. He writes “that my life felt distant even to me.” Also intriguing is Smith’s chronicle of society’s changing views of depression. In Renaissance Europe, in Elizabethan England, and to the 19th-century Romantics in Germany and Great Britain, depressive illness was deemed a great gift. People even feigned melancholia, because it was considered an experience that deepened and enriched one’s soul. With our society’s emphasis on productivity, depression is regarded as an unwelcome intrusion that is costly to corporate America. The contemporary solution is a quick fix that allows expedient return to the marketplace. And it’s this quick chemical fix that troubles Smith. Only when he abandons medication and allows his illness to awaken him spiritually and metaphysically does he conquer his depression. Smith continues to take jobs to help others with psychological problems and brain injuries, and is critical of patients— families “who preferred the memory [of the victim when healthy] to the present reality—[and whose] spouses had all filed for divorce.” Brimming with insight and intelligence, an endearing memoir. (Author tour)

Pub Date: Sept. 1, 1999

ISBN: 0-86547-542-3

Page Count: 304

Publisher: North Point/Farrar, Straus and Giroux

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 1999

Categories:

THE 48 LAWS OF POWER

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 1998

NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

Close Quickview