Accessible and often amusing medical anecdotes.



Drawing on over 20 years of experience in emergency medicine, debut author Sterling presents alternately humorous and sobering stories of the “controlled chaos” of a hospital emergency room.

In these wry, short essays, the author strikes an appropriate balance between serious warnings and diverting stories. In one, he tells of a nurse who was murdered in the office below his, proving that a hospital can be a risky environment; in others, though, he provides plenty of laughs. Many pieces tread a fine line between being comical and raunchy; for example, the author writes of finding a potato up a patient’s anus and of treating a four-hour erection. He uses a mix of the past and present tense to re-create the immediacy of climactic moments. Snappy conversations—such as one that he has with macho young men who assume that they’re invincible against sexually transmitted diseases—reflect his no-nonsense attitude toward patient responsibility: “It’s my job to treat, not to judge, but sometimes it’s very difficult,” Sterling admits. Too many cases, he notes, result from reckless behavior involving overeating, alcohol, drugs, or careless driving. For instance, he describes one drag-racing fatality with three inches shaved off his skull and a man who drank window-washing fluid and suffered permanent visual damage. Even the most tragic, cautionary tales can still hold a grain of hope, though. In one of the strongest anecdotes, “Extracting Life from Death,” he writes of a woman, nine months pregnant, who got into a high-speed crash while not wearing a seatbelt. She was dead on arrival at the hospital, but Sterling delivered her baby girl alive. The book proves to be as informative as it is entertaining, thanks to its reader-friendly tactics: unfamiliar terms appear in italics, connections are made between similar cases, and bullet-pointed lists detail procedures and treatment options. Taken together, they’ll provide laymen with a way through what Sterling calls the “never-ending alphabet soup of protocols.” A gripping step-by-step narration of a cricothyrotomy (which involves making an incision in the throat to create an airway) is a highlight: “Gain control of the windpipe with one hand. Let’s go. Stab incision with only the tip of the scalpel.” Two messages come through clearly in this collection: knowledge is power, and it’s better to be safe than sorry.

Accessible and often amusing medical anecdotes.

Pub Date: July 24, 2015

ISBN: 978-1612548524

Page Count: 184

Publisher: Brown Books Publishing Group

Review Posted Online: June 18, 2015

Kirkus Reviews Issue: Aug. 1, 2015

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This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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