A well-researched, engagingly human portrait of this complex mid-20th-century political leader.
An absorbing reexamination of Harry Truman’s two-term presidency and the critical years during which he held office.
Much has been written about the 33rd president, whose esteem has increased over the several decades since he left office. His colorful story has become somewhat legendary: the self-educated man from rural Missouri who was thrust into a demanding leadership role following Franklin Roosevelt’s untimely death. Though largely unprepared, Truman rose to the many challenges that confronted him. Among dozens of others, these included the decision to drop the first atomic bombs on Japan to end World War II, the founding of the U.N. and creation of the NATO alliance, and the fateful decision to intervene in the conflict in Korea. Frank, a former senior editor at the New Yorker and author of Ike and Dick: Portrait of a Strange Political Marriage, is also an acclaimed novelist, and his storytelling skills add significantly to this well-documented account. While not quite a revisionist history—the author’s assessment remains mostly consistent with prior biographies, most notably David McCullough’s 1992 Pulitzer-winning Truman—the book provides further depth and nuance to the character dynamics of Truman and his administration, including sharp portraits of James F. Byrnes, George C. Marshall, Dean Acheson, and James Vincent Forrestal, “who was destined to become one of Truman’s unhappiest appointments.” Ultimately, Frank delivers a balanced yet appreciative portrait of a president who, despite his limitations and flaws, proved largely capable of meeting the extraordinary demands of his time. “If he could never replace the masterful Franklin Roosevelt,” writes the author, “he became someone, or something, else: a man, burdened by a persistent absence of foresight, whose policies nonetheless brought stability to an unsteady world….He understood, and cherished, the task he’d been handed, and if he did not always seem big enough for the job, no one could question the size of the decisions he made while he held it.”
A well-researched, engagingly human portrait of this complex mid-20th-century political leader.Pub Date: March 8, 2022
ISBN: 978-1-5011-0289-9
Page Count: 576
Publisher: Simon & Schuster
Review Posted Online: Nov. 15, 2021
Kirkus Reviews Issue: Dec. 1, 2021
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
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