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BAD PUBLICITY

Though his tale runs out of steam as completely as the Dukakis campaign toward the end, the delight Frank (The Columnist,...

Just in time for Election Year, a wickedly funny account of the aimless lives of Beltway losers caught up in the events leading up to the 1988 Dukakis-Bush slugfest.

Charlie Dingleman, who still dreams of his six years as a Pennsylvania Congressman, has been put out to pasture at Thingeld, Pine & Sconce. His second wife, Eve DeFole, is a law student obviously on her way up and out. His brainy, prickly junior associate at TP&S, Judith Grust, seems headed in the same direction. And suddenly so does Charlie, his name nosed about for a White House job—until he allows himself an unfortunate glance and an ill-advised jest at a lunch with Judith, who promptly sets out to bury him deep. It won’t do Charlie any good to consult the image consultants at the Big Tooth PR firm, because they’re just as feckless as he is. Account executive Candy Romulade dithers over her “action plan” for Charlie while Rome burns, and her friend Teresa Maracopulous is too completely trapped in a dead-end assistant’s job and a dead-end marriage to a husband who actually loves her to bestir herself to any useful task. Meanwhile, exiled liberal Hank Morriday, Judith’s sometime lover, struggles with his book on welfare reform while he enviously eyes his opposite number, a rising star in the Dukakis campaign. What brings this ship of fools to unforgettable life is Frank’s heartlessly deadpan way of deflating their most cherished desires, from their petty scrabbling for 15 minutes of fame to their hilariously untitillating couplings (as when Judith reflects tolerantly of an unappealing suitor that “she expended fewer calories on him than she would merely climbing onto her exercise machine”).

Though his tale runs out of steam as completely as the Dukakis campaign toward the end, the delight Frank (The Columnist, 2001) takes in skewering his crafty nincompoops is infectious, evergreen.

Pub Date: Jan. 1, 2004

ISBN: 0-7432-4776-0

Page Count: 224

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 1, 2003

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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DISTANT SHORES

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...

Another middle-aged mom in a muddle.

After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).

Pub Date: July 1, 2002

ISBN: 0-345-45071-X

Page Count: 352

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2002

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