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MAKE 'EM LAUGH

35 YEARS OF THE COMIC STRIP, THE GREATEST COMEDY CLUB OF ALL TIME!

For friends and extended family of “the most legendary comic club there ever was.”

Brief, repetitive interviews with comedians recalling the club that gave them their starts.

Consider this a vanity project commemorating the 35th year of the Comic Strip in Manhattan (a milestone it passed in 2011), with the club’s owner (Tienken) credited as co-author, leaving the questioning and transcribing to comedy writer Gurian (co-author: Filthy, Funny and Totally Offensive, 2007). Comedians who cut their teeth at the club still feel a great allegiance to it, so the authors have access to some of the biggest names in comedy, including Jerry Seinfeld, Billy Crystal, Chris Rock and Ray Romano. (Conspicuously absent is Eddie Murphy, though Tienken’s long association as his manager receives frequent mentions.) While the interviews provide a cumulative sense of what it takes to make the leap from comedy clubs to bigger projects, as well as how a comedian might get his foot in the door in the first place (perseverance would seem to be a key, and being very funny helps), there are few laughs along the way and lots of instances of the same old names. Part of the problem is the question-and-answer format, with most of the interviews starting with some version of, “What year did you start performing comedy and what are your earliest memories of The Comic Strip?”—and ending with, “Tell me about Richie Tienken.” Seinfeld says of the club, “They were happy to have us, we were happy to have them, and we were one, big happy family.” George Wallace says Seinfeld is “the nicest guy in the world.” Gilbert Gottfried, the only one who refuses to play it straight (and, thus, the funniest), says, “Seinfeld was the star of The Comic Strip. And it seemed like 99 percent of the comedians who were Comic Strip regulars would talk exactly like him…even the girls.” Among other revelations, the family of Chris Rock knows him as “Chrissy.” Toward the end, there’s also an interview with the club’s landlord, who says that he’s been to “only one” show there: “I have a feeling I must have missed some of the highlights.”

For friends and extended family of “the most legendary comic club there ever was.”

Pub Date: Oct. 1, 2012

ISBN: 978-1-62087-074-7

Page Count: 256

Publisher: Skyhorse Publishing

Review Posted Online: Aug. 5, 2012

Kirkus Reviews Issue: Sept. 1, 2012

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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