A good adventure story undercut by its dated point of view.
Refusing to return to Earth after the International Space Station is badly damaged, American astronaut Walli Beckwith stages an unthinkable one-woman protest against the destruction of the Amazon rainforest.
A malfunction has caused a cargo vehicle to collide with the space station, seriously injuring one of Beckwith's two Russian crew mates. Blowing off both Houston and Moscow, who guarantee she will serve a long prison term if she disobeys orders to make the return trip, she draws the wrath of world powers invested in the space station. And in lobbying the U.S. government to cancel Brazil's new "consolidation" policy, which is to set massive fires in the jungle to clear out tens of thousands of tribespeople, she creates political trouble for the two-faced, misogynistic American president. He wants no part of any intervention even when he says he does. Her campaign, which makes her a sensation on social media, resonates most strongly with her niece Sonia, a young volunteer doctor in the rainforest tending to the sick and homeless. Kluger, a Time veteran who has written several books about space including Lost Moon: The Perilous Voyage of Apollo 13 (1994) with astronaut James Lovell, fuels the narrative with fascinating technical details. And the action scenes, including a spacewalk in which a fever-ridden Beckwith must repair a coolant system leaking lethal ammonia, are pretty gripping. But the heroine is mostly a collection of righteous intentions, and with the exception of a 5-year-old Guarani boy in Sonia's loving care, Kluger gives no voice to the tribespeople, presenting them as faceless victims.
A good adventure story undercut by its dated point of view.Pub Date: Aug. 3, 2021
ISBN: 978-0-593-18469-1
Page Count: 352
Publisher: Dutton
Review Posted Online: June 1, 2021
Kirkus Reviews Issue: June 15, 2021
An ambitious and satisfying conclusion to a monumental saga.
Brown completes his science-fiction trilogy with another intricately plotted and densely populated tome, this one continuing the focus on a rebellion against the imperious Golds.
This last volume is incomprehensible without reference to the first two. Briefly, Darrow of Lykos, aka Reaper, has been “carved” from his status as a Red (the lowest class) into a Gold. This allows him to infiltrate the Gold political infrastructure…but a game’s afoot, and at the beginning of the third volume, Darrow finds himself isolated and imprisoned for his insurgent activities. He longs both for rescue and for revenge, and eventually he gets both. Brown is an expert at creating violent set pieces whose cartoonish aspects (“ ‘Waste ’em,’ Sevro says with a sneer” ) are undermined by the graphic intensity of the savagery, with razors being a favored instrument of combat. Brown creates an alternative universe that is multilayered and seething with characters who exist in a shadow world between history and myth, much as in Frank Herbert’s Dune. This world is vaguely Teutonic/Scandinavian (with characters such as Magnus, Ragnar, and the Valkyrie) and vaguely Roman (Octavia, Romulus, Cassius) but ultimately wholly eclectic. At the center are Darrow, his lover, Mustang, and the political and military action of the Uprising. Loyalties are conflicted, confusing, and malleable. Along the way we see Darrow become more heroic and daring and Mustang, more charismatic and unswerving, both agents of good in a battle against forces of corruption and domination. Among Darrow’s insights as he works his way to a position of ascendancy is that “as we pretend to be brave, we become so.”
An ambitious and satisfying conclusion to a monumental saga.Pub Date: Feb. 9, 2016
ISBN: 978-0-345-53984-7
Page Count: 400
Publisher: Del Rey/Ballantine
Review Posted Online: Dec. 8, 2015
Kirkus Reviews Issue: Dec. 15, 2015
It's almost enough to make a person believe in ghosts.
A disturbing household secret has far-reaching consequences in this dark, unusual ghost story.
Mallory Quinn, fresh out of rehab and recovering from a recent tragedy, has taken a job as a nanny for an affluent couple living in the upscale suburb of Spring Brook, New Jersey, when a series of strange events start to make her (and her employers) question her own sanity. Teddy, the precocious and shy 5-year-old boy she's charged with watching, seems to be haunted by a ghost who channels his body to draw pictures that are far too complex and well formed for such a young child. At first, these drawings are rather typical: rabbits, hot air balloons, trees. But then the illustrations take a dark turn, showcasing the details of a gruesome murder; the inclusion of the drawings, which start out as stick figures and grow increasingly more disturbing and sophisticated, brings the reader right into the story. With the help of an attractive young gardener and a psychic neighbor and using only the drawings as clues, Mallory must solve the mystery of the house's grizzly past before it's too late. Rekulak does a great job with character development: Mallory, who narrates in the first person, has an engaging voice; the Maxwells' slightly overbearing parenting style and passive-aggressive quips feel very familiar; and Teddy is so three-dimensional that he sometimes feels like a real child.
It's almost enough to make a person believe in ghosts.Pub Date: May 10, 2022
ISBN: 978-1-250-81934-5
Page Count: 384
Publisher: Flatiron Books
Review Posted Online: March 1, 2022
Kirkus Reviews Issue: March 15, 2022
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