Proof that we don’t need the Cold War for smart spy fiction.
A retired CIA officer is pulled back into a dangerous game in this spy thriller by the author of Beirut Station (2023).
Alexander Matthews retired from the CIA and started Trinity Capital, a highly successful venture capital firm that often brings him to Russia. Once he’d been the CIA’s top spy in Moscow, but that’s all behind him now. But the Agency asks him for a favor: help extricate a Russian asset code-named Byron, a KGB-trained intelligence officer whom he had recruited and who claims to have sensitive secrets the CIA wants. He’d recruited other “poets” such as Keats and Blake, but they have vanished, perhaps in the bowels of Lefortvo Prison with bullets to the skull. Matthews has good reasons to decline: His late wife and daughter, killed in a boating accident while he was away, hated his lengthy absences, and he is on the verge of being estranged from his surviving son. He’s remarried to a CIA translator, and his travel stresses that marriage. So of course he goes to Moscow and is promptly arrested on a trumped-up solicitation charge. Then the FSB tells him he’s being investigated for tax fraud. Soon, he’s reminded that it’s dangerous for a wealthy American investor in Russia to be in the tabloids. And speaking of which, Byron claims to have the FSB’s kompromat on Topcat, who’d been in Moscow for the Miss Universe contest in 2013. One CIA official calls him Apocalypse 45, but like Voldemort, no one says his name. Readers will have to figure that out. Meanwhile, Langley believes it has a mole. Matthews feels an emotional tug to Russia’s capital city: He “wasn’t from Moscow, but he was of Moscow.” He’s going to have to get over that, as he’s not safe there anymore. Can he successfully exfiltrate Byron? As tension builds to a dramatic conclusion, so does the doubt. Vivid writing sets the tone: “The vans, yellow lights flashing, swallowed the prisoners like whales swallowing krill.” The plot delivers eye-opening twists as well as insights into the Russian psyche. “In Russia,” a character says, “stories never have happy endings.” This one fits right in.
Proof that we don’t need the Cold War for smart spy fiction.Pub Date: May 6, 2025
ISBN: 9781639368853
Page Count: 336
Publisher: Pegasus Crime
Review Posted Online: April 19, 2025
Kirkus Reviews Issue: May 15, 2025
Trust no one in this over-the-top tale of deception and revenge.
Dead bodies turn up in the first sentence of the prologue in McFadden’s latest domestic thriller.
The mystery of who died is at the pulsating heart of this propulsive tale. As Chapter 1 begins, Naomi arrives home to find the locks changed on the front door of the gorgeous home she shares with her husband, Jeremy, and their 5-year-old son, Teddy. Jeremy steps out the front door and convinces Naomi to move out while he has their home renovated, a plan Naomi knows nothing about. It’s all a ruse, though, as the next day Jeremy tells her he wants a divorce. Naomi is shellshocked and soon discovers that Jeremy is having an affair with Veronica, a beautiful younger woman. What seems at first like a stereotypical story about a man who leaves his wife turns into something else when Naomi decides she’ll do anything to get Veronica away from Jeremy and Teddy, and Veronica decides to fight for what she thinks she deserves. Fans of stalker novels will cringe with delight as creepy things start to happen. Teddy’s stuffed elephant, a gift from Veronica, is found impaled on a kitchen knife; Naomi suspects Jeremy is gaslighting her and that Veronica tried to poison her. A weird confrontation among Jeremy, Veronica, and Naomi at Teddy’s birthday party, to which Naomi shows up uninvited, is priceless. There are three main characters, and any or all of them may be unreliable narrators. Packing the plot with dark, gasp-inducing twists, McFadden outdoes herself in a story about how highly emotional people engage in risky behavior to get what they want—but in this novel, for better or worse, not everyone will survive.
Trust no one in this over-the-top tale of deception and revenge.Pub Date: May 26, 2026
ISBN: 9781464249631
Page Count: 368
Publisher: Poisoned Pen
Review Posted Online: April 20, 2026
Kirkus Reviews Issue: May 15, 2026
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
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