by Jeffrey Meyers ‧ RELEASE DATE: Sept. 1, 2000
A biography that rounds out a writer whose life has been distorted by the mythic proportions of his experiences.
A discerning psychological reading of a highly fraught writer's life.
Meyers (Gary Cooper, 1998, etc.) sifts through Orwell's celebrated adventures, finding strands of anxiety that influenced his great works. To begin with, Orwell's father was no authority figure: a mid-level civil servant in British India, he made little money overseeing the cultivation of opium and was absent for most of his son's childhood. In grammar school and at Eton, Orwell suffered from his status as a scholarship boy, succeeding academically but socially never fitting in. Despite his antipathy toward his father and the culture of his public school, however, Orwell went on to join the Burmese Imperial Police—a sign of the grip his background had on him. Meyers argues that this conflict recurred throughout Orwell's life. He was regularly caught between a sense of duty and his own unique, and often critical, perspective of the institutions that influenced him. Meyers links this analysis with allusions to fiction and essays (like "Shooting an Elephant") to show how art took its cue from life. Tramping around France and England—dropping out of life, pitching the dilemma entirely—helped resolve this conflict enough for him to work as a schoolmaster and write his first book. Leaving everything behind and taking the big risk (i.e., fighting in the Spanish Civil War) inaugurated the blossoming of his career, however. He overcame his feelings of inadequacy and began actively developing his political theories, asserting that totalitarianism on both the Left and Right were jeopardizing democracy and individualism. The gentler side of Orwell comes out in Meyers’s discussion of his family life. His rather mundane (yet sweet) courting of Eileen O'Shaughnessy, the strain WWII placed on the marriage, and their adoption of a son placed Orwell in a rare role. He seemed wide-eyed and open, a far cry from his usual self-tormented or icily perceptive self.
A biography that rounds out a writer whose life has been distorted by the mythic proportions of his experiences.Pub Date: Sept. 1, 2000
ISBN: 0-393-04792-X
Page Count: 320
Publisher: Norton
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: July 15, 2000
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by William Strunk & E.B. White ‧ RELEASE DATE: May 15, 1972
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
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