Masson may be an anecdotist, but he is also a graceful, powerful, informed writer. He knows how to keep our cogs turning.
Riding the wave generated by his bestselling When Elephants Weep (1995), Masson offers further clever musings on the emotional lives of animals, concentrating on that most fervent practitioner of interspecies devotion, Rover.
Again, as in his earlier book, Masson serves a bounty of curious animal stories designed to at least hint at a complex inner life, full of deep feelings, in dogs. He doesn't claim to be following any particular scientific method. In fact, one of the best parts of this book is a canny dissection of anthropomorphism: when it is egregiously applied and clouds our understanding; when it serves as a scientific gag order, a closing of the mind. And he reminds the reader more often than necessary that his suppostions are a far cry from proof. He is just following his instincts, backing them up when he can from the formidable amount of research done on animal behavior. What this boils down to is Masson the storyteller, reeling off tale after tale of dog behavior that cries out to be considered on the emotional level. Many of the stories are of the winning, feel-good variety, of forgiveness and courage and loyalty (including one in which a trained police dog disobeys an apparently unjust order to attack), of their bottomless capacity for love and fun. There are darker stories, too—fashioned to raise our ire—of dogs' humiliation and abuse and abandonment at the hands of humans. But Masson can be irritating, tendering opinions as facts: "No other animal (wild, tame, or domesticated) carries such meaning for humans as the dog,'' and "Dogs do not lie to you about how they feel,'' as if he knows that dogs are incapable of a put-on.
Masson may be an anecdotist, but he is also a graceful, powerful, informed writer. He knows how to keep our cogs turning.Pub Date: Sept. 1, 1997
ISBN: 0-609-60057-5
Page Count: 320
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1997
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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