A smooth balance between mystery and history.
A cryptic posthumous letter sends a New Yorker on a cross-country and trans-Atlantic treasure hunt.
Stephens’ latest mystery centers on a 27-year-old son’s discovering a secret his poetry-loving dad, who earned his living by occasionally breaking strangers’ arms for not paying their gambling debts, took to his grave. In the early 1960s, John “Blackie” Rinaldi’s son discovers at a young age that his dad works for the mob. Now, more than six years after Blackie met an early death, his widow calls their son to retrieve a box containing photographs and medals from when Blackie served in France in World War II. Also included is a letter he wrote to his son that hints about “something really big in the works” that only he, his buddy Benny, and an unnamed friend know about. Blackie’s son flies to Las Vegas to meet Benny, who doesn’t divulge the “big” deal but does reveal that the other friend mentioned in the letter is Frenchman Gilles de la Houssay. Benny suggests: “See if you can find Gilles, see if he’ll talk to you.” The scene shifts to France, but not before Blackie’s son meets beautiful, blue-eyed Donna on the plane home from Vegas. The plus of meeting her is followed by the negative of discovering his apartment was broken into while he was away. Someone, possibly a relative who is a “certified scumbag of the first order,” was hellbent on finding Blackie’s letter. The culprit wanted a piece—or more—of what its contents would lead to. Told in the first person, this engaging mystery is both plot- and character-driven. Moving from past to present is deftly handled, and the mystery presented seems both plausible and intriguing. Love of family, albeit a flawed one, is key. Blackie has a loving wife and a sweet, if sometimes contentious, bond with his son, whom he plays poker with. The historical fiction element concerning World War II adds depth to the story, as do thought-provoking takeaways, such as this observation by Blackie’s son: “An old friend once warned me that ‘catching up’ is the death knell of a relationship. When all you’ve got to talk about is how other people are doing, it means you have nothing in common anymore.”
A smooth balance between mystery and history.Pub Date: Dec. 8, 2020
ISBN: 978-1-64293-738-1
Page Count: 256
Publisher: Post Hill Press
Review Posted Online: Feb. 23, 2021
Kirkus Reviews Issue: April 1, 2021
Review Program: Kirkus Indie
BOOK REVIEW
Fresh and upbeat, though not without flaws.
An earnest grad student and a faculty member with a bit of a jerkish reputation concoct a fake dating scheme in this nerdy, STEM-filled contemporary romance.
Olive Smith and professor Adam Carlsen first met in the bathroom of Adam's lab. Olive wore expired contact lenses, reducing her eyes to temporary tears, while Adam just needed to dispose of a solution. It's a memory that only one of them has held onto. Now, nearly three years later, Olive is fully committed to her research in pancreatic cancer at Stanford University's biology department. As a faculty member, Adam's reputation precedes him, since he's made many students cry or drop their programs entirely with his bluntness. When Olive needs her best friend, Anh, to think she's dating someone so Anh will feel more comfortable getting involved with Olive's barely-an-ex, Jeremy, she impulsively kisses Adam, who happens to be standing there when Anh walks by. But rumors start to spread, and the one-time kiss morphs into a fake relationship, especially as Adam sees there's a benefit for him. The university is withholding funds for Adam's research out of fear that he'll leave for a better position elsewhere. If he puts down more roots by getting involved with someone, his research funds could be released at the next budgeting meeting in about a month's time. After setting a few ground rules, Adam and Olive agree that come the end of September, they'll part ways, having gotten what they need from their arrangement. Hazelwood has a keen understanding of romance tropes and puts them to good use—in addition to fake dating, Olive and Adam are an opposites-attract pairing with their sunny and grumpy personalities—but there are a couple of weaknesses in this debut novel. Hazelwood manages to sidestep a lot of the complicated power dynamics of a student-faculty romance by putting Olive and Adam in different departments, but the impetus for their fake relationship has much higher stakes for Adam. Olive does reap the benefits of dating a faculty member, but in the end, she's still the one seemingly punished or taunted by her colleagues; readers may have been hoping for a more subversive twist. For a first novel, there's plenty of shine here, with clear signs that Hazelwood feels completely comfortable with happily-ever-afters.
Fresh and upbeat, though not without flaws.Pub Date: Sept. 14, 2021
ISBN: 978-0-593-33682-3
Page Count: 384
Publisher: Berkley
Review Posted Online: July 27, 2021
Kirkus Reviews Issue: Aug. 15, 2021
PERSPECTIVES
BOOK TO SCREEN
BOOK TO SCREEN
The delightful debut of a classic, prolific detective.
It takes a quirky sleuth to solve a baffling closed-door murder.
The author himself or, more accurately, some version of him, walks the reader through a “gruesome murder” that occurred in a rural farming village. At the center of the crime is the wealthy Ichiyanagi family, including the widow Itoko and her five children. The “heinous crime” occurs in the evening after the festive wedding of eldest son Kenzo to schoolteacher Katsuko. Yokomizo, part narrator and part raconteur, liberally shares digressions such as the fact that his favorite British author is A.A. Milne, who wrote The Red House Mystery as well as the books about Winnie-the-Pooh. Written in 1946 but set in 1937 before the devastation of World War II, this is the first novel featuring Kosuke Kindaichi, the legendary detective who appeared in more than 70 stories by Yokomizo. If Yokomizo is the Japanese Agatha Christie, Kindaichi may seem the Japanese Hercule Poirot—although actually, given his unkempt hair and apparently distracted manner, he’s more a cross between Poirot and Columbo. Shrewdly, his entrance is delayed until midway through the novel, after the police have stalled and both the family and the reader are anxious for a solution. The narrator’s garrulous charm, in a mystery long on logistics and forensic clues but short on detailed character portraits or extended interactions, is a key to the novel’s success, leavening the more intricate pieces of the puzzle. Armchair detectives will welcome the helpful character list that precedes the story.
The delightful debut of a classic, prolific detective.Pub Date: tomorrow
ISBN: 9781805336549
Page Count: 192
Publisher: Pushkin Vertigo
Review Posted Online: July 20, 2026
Kirkus Reviews Issue: Aug. 15, 2026
BOOK REVIEW
BOOK REVIEW
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