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BILLION-DOLLAR KISS

THE STORY OF A TELEVISION WRITER IN THE HOLLYWOOD GOLD RUSH

The emphasis on personal wealth feels a touch unseemly after a while, and the lazy, arbitrary story arc will leave many...

A veteran TV writer/producer recounts how he got lucky and made an obscene amount of money during Hollywood’s go-go ’80s and ’90s.

Few would deny that Stepakoff is one of the luckier people in television: To have nabbed as much work and earned as much money as he has—as a writer, no less—practically implies the presence of a watchful higher power. Fortunately, his upbeat, smiley memoir is very mindful of this fact, and the author rarely tries to play the sympathy card. His narrative bounces amiably from getting an MFA in playwriting at Carnegie Mellon to scoring extremely fortuitous meetings with powerhouse TV writers and producers like Steven Bochco and John Wells. Stepakoff moved up easily from well-connected intern to writer, working on shows including The Wonder Years and Dawson’s Creek. The text frequently reads like a speech to prospective TV scribes, laying out the mechanics of residual payments and explaining Hollywood’s intricate social hierarchy. A little of this goes quite a long way, especially as Stepakoff seems more interested in chronicling the massive amounts of money shoveled out to writers in the days before reality TV (Fox paid one guy $2.5 million a year just to “think funny”) than he is in discussing how exactly he churned out all that dialogue.

The emphasis on personal wealth feels a touch unseemly after a while, and the lazy, arbitrary story arc will leave many readers too listless to care.

Pub Date: May 1, 2007

ISBN: 1-59240-295-X

Page Count: 320

Publisher: Gotham Books

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 2007

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THE CONSERVATIVE SENSIBILITY

The author’s literate, committed voice sometimes disappears in his tangled wood of allusion and quotation.

The veteran Washington Post columnist and TV commentator offers a richly documented history of and argument for a wider embrace of conservative political values.

“Richly documented” is an understatement. Will (A Nice Little Place on the North Side: Wrigley Field at One Hundred, 2014, etc.) is nothing if not a thorough, dedicated researcher and thinker, but he’s often prolix. Many of the historical figures the author references will come as no surprise—e.g., Burke, Moynihan, Madison, Locke—and there are also plenty from the literary world; these include allusions to Twain and Fitzgerald, whose closing sentences from The Great Gatsby provide Will with a metaphor for his principal points. Not much the Pulitzer winner offers here will surprise those who have paid attention to his rhetoric over the decades. His three American heroes remain: Washington, Lincoln, John Marshall. He thinks the U.S. government has grown too big, that it is too interested in providing entitlements (Will is a believer in much more self-reliance than he sees evident today), that schools and universities should do a much more rigorous job of transmitting the Western historical heritage, and that progressives just don’t understand how America is supposed to work. However, in one chapter, he may surprise some readers: He declares he is an atheist (though “amiable, low-voltage”), and he spends a few pages reminding us that the founders were not particularly religious and that we must observe the separation of church and state. He praises the civil rights movement but asserts that much of it has gone wrong. Oddly missing are direct references to the current occupant of the White House, though Will does zing many of his predecessors (from both parties but principally Democrats), mostly for their failure to comprehend fully the concept of liberty that fueled the founders.

The author’s literate, committed voice sometimes disappears in his tangled wood of allusion and quotation.

Pub Date: June 4, 2019

ISBN: 978-0-316-48093-2

Page Count: 640

Publisher: Hachette

Review Posted Online: March 24, 2019

Kirkus Reviews Issue: April 15, 2019

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FULL DISCLOSURE

Daniels emerges as a force to be reckoned with—and not someone to cross. Of interest to politics junkies but with plenty of...

A lively, candid memoir from person-in-the-news Daniels.

The author is a household name for just one reason, as she allows—adding, though, that “my life is a lot more interesting than an encounter with Donald Trump.” So it is, and not without considerable effort on her part. Daniels—not her real name, but one, she points out, that she owns, unlike the majority of porn stars—grew up on the wrong side of town, the product of a broken home with few prospects, but she is just as clearly a person of real intelligence and considerable business know-how. Those attributes were not the reason that Trump called her on a fateful night more than a decade ago, but she put them to work, so much so that in some preliminary conversation, he proclaimed—by her account, his talk is blustery and insistent—that “our businesses are kind of a lot alike, but different.” The talk led to what “may have been the least impressive sex I’d ever had, but clearly, he didn’t share that opinion.” The details are deeply unpleasant, but Daniels adds nuance to the record: She doesn’t find it creepy that Trump likened her to his daughter, and she reckons that as a reality show host, he had a few points in his favor even if he failed to deliver on a promise to get her on The Apprentice. The author’s 15 minutes arrived a dozen years later, when she was exposed as the recipient of campaign hush money. Her account of succeeding events is fast-paced and full of sharp asides pointing to the general sleaziness of most of the players and the ugliness of politics, especially the Trumpian kind, which makes the porn industry look squeaky-clean by comparison.

Daniels emerges as a force to be reckoned with—and not someone to cross. Of interest to politics junkies but with plenty of lessons on taking charge of one’s own life.

Pub Date: Oct. 2, 2018

ISBN: 978-1-250-20556-8

Page Count: 288

Publisher: St. Martin's

Review Posted Online: Oct. 5, 2018

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