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THREE OR MORE IS A RIOT

NOTES ON HOW WE GOT HERE: 2012-2025

Provocative, arguable, written with both bravado and great care: an exemplary collection.

Incisive reportage on Black life and history by the noted journalist.

Dean of journalism at Columbia, Cobb has a pronounced contrarian bent: He refuses, for one, to capitalize “Black,” writing, “Our existence as a community need not be premised on the canards of charlatans seeking to justify murder and slavery. The bonds of shared history and culture will suffice. In short, black people exist; Black people need not.” For another, he takes a pin to many a thought balloon, as in the idea that Barack Obama represented a post-racial America, noting archly, “Unlike the maligned mulattoes of old, Obama wasn’t passing for white—­he was passing for mixed.” A case in point is Rodney King, savagely beaten by Los Angeles cops; days of rioting followed, police reforms were promised, but in the end nothing substantial changed. Cobb visits various points in American history, more often than not to find them wanting: His assessment of Abraham Lincoln, for instance, squares with historical critics who “undercut the inane idea that the formerly enslaved owed him anything at all, even a thank-you, for his self-interested decision to end a practice that the nation should never have begun in the first place.” The touchstones continue: Colin Kaepernick may have been brave for protesting system violence against Blacks, but he still wanted to play football in a league complicit in that oppression; the 2018 electoral campaign pitting Stacey Abrams against Brian Kemp, marked by extreme voter suppression, is proof by his lights that “most elections are framed as a referendum on the future; Georgia’s race was about how much of the past had been dragged into the present.” Cobb’s remarks on the intertwining of journalism and history are invaluable, while his account of inequalities of health care and its list of victims within the Black cultural community is harrowing.

Provocative, arguable, written with both bravado and great care: an exemplary collection.

Pub Date: Oct. 14, 2025

ISBN: 9780593978207

Page Count: 448

Publisher: One World/Random House

Review Posted Online: Aug. 23, 2025

Kirkus Reviews Issue: Oct. 1, 2025

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THE RISE AND FALL OF THE ARTIFICIAL STATE

A deeply learned dive into the frightening visions of technocrats past and present.

The noted historian and New Yorker staffer looks into a future ruled by machines.

Thirty-odd years ago, writes Lepore, liberal democracies of old were being transformed into both authoritarian or autocratic regimes and by “automatocracy, rule by automation, government by machine-driven computation, prediction, and persuasion.” In this pointed rejoinder to Hannah Arendt’s Origins of Totalitarianism (1951), which foresaw a world in which humans were essentially superfluous, Lepore charts a long history that extends deep into the “machine age,” beginning in the 17th century, which saw “the artificial as existing not only outside the natural but above it, an improvement upon it.” In this conception, humans were fallible, while machines faithfully and unfailingly obeyed the rules set for them. A logical progression followed in the 1920s with the rise of the Technocracy movement, a variety of fascism widely accepted in the U.S. that held that far from being free and equal, humans should be governed by scientists and engineers who alone “have the intelligence and education to understand the industrial operations that lie at the heart of twentieth-century life.” It’s a short hop from there to the present, with tech billionaires pushing AI and, in the case of the influential “self-described ‘neo-monarchist’” Curtis Yarvin, a dictatorship aided by it. In all this, Lepore writes, it is not just the human animal that suffers but all animals and all habitats, which can only worsen with the incessant demands for energy, rare earths, and water that AI requires. And what “humans crave, in that artificial world, is nature,” a nature that is increasingly silenced. This undemocratic world, benefiting only the wealthy at the expense of all else, is a prison of screens and keyboards from which, she writes memorably, “What is required is to imagine an escape, and then to conduct it.”

A deeply learned dive into the frightening visions of technocrats past and present.

Pub Date: Aug. 25, 2026

ISBN: 9781324098423

Page Count: 320

Publisher: Liveright/Norton

Review Posted Online: May 18, 2026

Kirkus Reviews Issue: June 15, 2026

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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