by Jelleke Rijken & Mack van Gageldonk ; illustrated by Mack van Gageldonk ‧ RELEASE DATE: July 1, 2018
A serviceable addition to the small group of books that deal with death for the youngest audiences.
Young Bear experiences the loss of his grandpa, but his good friends help him through the experience.
Bird brings the light-brown Bear over to a gray bear who’s seemingly asleep on the ground. As Bear weeps, and Chicken arrives with a first-aid kit thinking Bear is wounded, Elephant explains death, saying: “When you’re dead, you can’t talk, move, or breathe. You’re no longer alive.” Elephant organizes a simple ceremony: “We are going to say goodbye to your grandpa.” Bear creates a special gift: “A drawing of a fish!” Chicken makes a bouquet of yellow flowers, the kind Grandpa liked. They form a procession, and each one does something special near the body. “Chicken lays down her flowers and Elephant trumpets a song. / …[Bear] finds a good spot for his drawing and gives Grandpa one last long hug.” As night falls, the friends make a fire and speak of Grandpa tenderly. Thoughtful adults can use this simple book with its heartfelt text and solemn, cartoon animals to explain death to young children, although there is one jarring sentence in this (uncredited) translation from Dutch. When the animals approach the dead body for their ceremony, the text reads: “It feels weird, sad, and a little exciting, too.” Caregivers may find “exciting” the wrong word for these circumstances.
A serviceable addition to the small group of books that deal with death for the youngest audiences. (Picture book. 3-6)Pub Date: July 1, 2018
ISBN: 978-1-60537-373-7
Page Count: 32
Publisher: Clavis
Review Posted Online: March 26, 2018
Kirkus Reviews Issue: May 1, 2018
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by Jelleke Rijken & Mack van Gageldonk ; illustrated by Mack van Gageldonk
by Peter Brown ; illustrated by Peter Brown ‧ RELEASE DATE: June 24, 2025
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.
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New York Times Bestseller
What happens when a robot washes up alone on an island?
“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)Pub Date: June 24, 2025
ISBN: 9780316669467
Page Count: 48
Publisher: Little, Brown
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
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by Aaron Reynolds ; illustrated by Peter Brown
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by Peter Brown ; illustrated by Peter Brown
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by Aaron Reynolds ; illustrated by Peter Brown
by Eric Carle ; illustrated by Eric Carle ‧ RELEASE DATE: Dec. 15, 2015
Safe to creep on by.
Carle’s famous caterpillar expresses its love.
In three sentences that stretch out over most of the book’s 32 pages, the (here, at least) not-so-ravenous larva first describes the object of its love, then describes how that loved one makes it feel before concluding, “That’s why… / I[heart]U.” There is little original in either visual or textual content, much of it mined from The Very Hungry Caterpillar. “You are… / …so sweet,” proclaims the caterpillar as it crawls through the hole it’s munched in a strawberry; “…the cherry on my cake,” it says as it perches on the familiar square of chocolate cake; “…the apple of my eye,” it announces as it emerges from an apple. Images familiar from other works join the smiling sun that shone down on the caterpillar as it delivers assurances that “you make… / …the sun shine brighter / …the stars sparkle,” and so on. The book is small, only 7 inches high and 5 ¾ inches across when closed—probably not coincidentally about the size of a greeting card. While generations of children have grown up with the ravenous caterpillar, this collection of Carle imagery and platitudinous sentiment has little of his classic’s charm. The melding of Carle’s caterpillar with Robert Indiana’s iconic LOVE on the book’s cover, alas, draws further attention to its derivative nature.
Safe to creep on by. (Picture book. 3-6)Pub Date: Dec. 15, 2015
ISBN: 978-0-448-48932-2
Page Count: 32
Publisher: Grosset & Dunlap
Review Posted Online: Feb. 1, 2021
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edited by Eric Carle
BOOK REVIEW
edited by Eric Carle
BOOK REVIEW
by Eric Carle ; illustrated by Eric Carle
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