Too shallow to satisfy as a memoir, but may appeal to believers.
One woman’s testimonial of her journey from willful child to drug lord to servant of God.
With the assistance of veteran co-author Ritz (Brother West: Living and Loving Out Loud, 2009, etc.), Thompson-Hairston begins near the end, with the author hiding out in a luxurious Miami Beach hotel, fleeing incarceration. Though being on the lam didn’t faze her—she was well-equipped with fake IDs and numerous safe houses—she was extremely worried about the separation from her young son. The guilt drove her to return home to Los Angeles for his sixth-grade graduation, where federal agents awaited her arrival. Following her dramatic arrest outside her son’s school, the author presents herself “before the game.” Unfortunately, most of the real excitement has passed, and the remainder of the book is largely a recitation of facts and name-dropping. After a brief childhood stint at her grandmother’s in Mississippi, Thompson-Hairston returned to California with a vague sense of the importance of family and an aching desire for a boyfriend. She soon fell for Daff, the charming neighborhood pot dealer, and joined him in business, reaping the material benefits. However, while viewing the opulence on display during an episode of Dallas, she realized that she and Daff were only “hood rich.” So the author decided to increase the stakes by dealing in a more lucrative drug, cocaine. It went well. She and Daff built their empire, becoming suppliers to several cities and growing increasingly wealthy, and they shared their good fortune with their community, throwing barbecues and providing employment. The situation presents a unique scenario of drug dealer strictly as businessperson, never indulging, never losing control. But Thompson-Hairston doesn’t adequately explore this facet, and, without a drug-fueled implosion or violent mayhem—there are some fisticuffs and an off-screen, unexplored murder—the book lacks the salacious elements that make criminal memoirs compelling. Instead she went to prison and found God, and she gives Him all the glory.
Too shallow to satisfy as a memoir, but may appeal to believers.Pub Date: June 22, 2010
ISBN: 978-0-446-54288-3
Page Count: 224
Publisher: Avon A/HarperCollins
Review Posted Online: Feb. 17, 2011
Kirkus Reviews Issue: April 15, 2010
Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.
Rootin’-tootin’ history of the dry-gulchers, horn-swogglers, and outright killers who populated the Wild West’s wildest city in the late 19th century.
The stories of Wyatt Earp and company, the shootout at the O.K. Corral, and Geronimo and the Apache Wars are all well known. Clavin, who has written books on Dodge City and Wild Bill Hickok, delivers a solid narrative that usefully links significant events—making allies of white enemies, for instance, in facing down the Apache threat, rustling from Mexico, and other ethnically charged circumstances. The author is a touch revisionist, in the modern fashion, in noting that the Earps and Clantons weren’t as bloodthirsty as popular culture has made them out to be. For example, Wyatt and Bat Masterson “took the ‘peace’ in peace officer literally and knew that the way to tame the notorious town was not to outkill the bad guys but to intimidate them, sometimes with the help of a gun barrel to the skull.” Indeed, while some of the Clantons and some of the Earps died violently, most—Wyatt, Bat, Doc Holliday—died of cancer and other ailments, if only a few of old age. Clavin complicates the story by reminding readers that the Earps weren’t really the law in Tombstone and sometimes fell on the other side of the line and that the ordinary citizens of Tombstone and other famed Western venues valued order and peace and weren’t particularly keen on gunfighters and their mischief. Still, updating the old notion that the Earp myth is the American Iliad, the author is at his best when he delineates those fraught spasms of violence. “It is never a good sign for law-abiding citizens,” he writes at one high point, “to see Johnny Ringo rush into town, both him and his horse all in a lather.” Indeed not, even if Ringo wound up killing himself and law-abiding Tombstone faded into obscurity when the silver played out.
Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.Pub Date: April 21, 2020
ISBN: 978-1-250-21458-4
Page Count: 400
Publisher: St. Martin's
Review Posted Online: Jan. 19, 2020
Kirkus Reviews Issue: Feb. 15, 2020
The book begins in Sri Lanka with the tsunami of 2004—a horror the author saw firsthand, and the aftermath of which he...
The latest from French writer/filmmaker Carrère (My Life as a Russian Novel, 2010, etc.) is an awkward but intermittently touching hybrid of novel and autobiography.
The book begins in Sri Lanka with the tsunami of 2004—a horror the author saw firsthand, and the aftermath of which he describes powerfully. Carrère and his partner, Hélène, then return to Paris—and do so with a mutual devotion that's been renewed and deepened by all they've witnessed. Back in France, Hélène's sister Juliette, a magistrate and mother of three small daughters, has suffered a recurrence of the cancer that crippled her in adolescence. After her death, Carrère decides to write an oblique tribute and an investigation into the ravages of grief. He focuses first on Juliette's colleague and intimate friend Étienne, himself an amputee and survivor of childhood cancer, and a man in whose talkativeness and strength Carrère sees parallels to himself ("He liked to talk about himself. It's my way, he said, of talking to and about others, and he remarked astutely that it was my way, too”). Étienne is a perceptive, dignified person and a loyal, loving friend, and Carrère's portrait of him—including an unexpectedly fascinating foray into Étienne and Juliette's chief professional accomplishment, which was to tap the new European courts for help in overturning longtime French precedents that advantaged credit-card companies over small borrowers—is impressive. Less successful is Carrère's account of Juliette's widower, Patrice, an unworldly cartoonist whom he admires for his fortitude but seems to consider something of a simpleton. Now and again, especially in the Étienne sections, Carrère's meditations pay off in fresh, pungent insights, and his account of Juliette's last days and of the aftermath (especially for her daughters) is quietly harrowing.Pub Date: Sept. 13, 2011
ISBN: 978-0-8050-9261-5
Page Count: 256
Publisher: Metropolitan/Henry Holt
Review Posted Online: Aug. 10, 2011
Kirkus Reviews Issue: Sept. 1, 2011
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