by Jen Cullerton Johnson & illustrated by Sonia Lynn Sadler ‧ RELEASE DATE: May 1, 2010
This debut picture biography, idealized and inspiring, draws on Wangari Maathai’s autobiographical writing to present an overview of the activist’s life from childhood to the present. Johnson sows her narrative with botanical metaphors: “Her mind was like a seed rooted in rich soil, ready to grow.” The mugumo tree symbolizes Kenya’s transition from agrarian bounty to environmental precipice: It yields figs for humans and animals yet bows to destruction as multinational corporations raze forests to profit from coffee plantations. Richer than other treatments of Maathai for children and more grounded in her work’s implicit feminism, this details her education in Nairobi and the United States, her imprisonment for activism and her scientific and environmental work, resulting in the planting of 30,000,000 trees and economic empowerment for Kenyan women. Sadler’s beautiful scratchboard illustrations incise white contoured line into saturated landscapes of lush green leaf patterns, brilliant-hued textiles and undulating, stylized hills. Maathai always wears a colorful headscarf or fabric bow, and the community spirit she resuscitates is joyfully celebrated on every spread. Vibrant and accomplished. (author’s note, sources, quotation sources) (Picture book biography. 6-11)
Pub Date: May 1, 2010
ISBN: 978-1-60060-367-9
Page Count: 40
Publisher: Lee & Low Books
Review Posted Online: June 23, 2010
Kirkus Reviews Issue: April 15, 2010
Share your opinion of this book
by Buzz Aldrin & illustrated by Wendell Minor ‧ RELEASE DATE: June 1, 2005
In first-person voice, Aldrin highlights points from his childhood that led to his dream of being an astronaut and making the historic moon landing. Coincidental details like his mother’s maiden name, “Moon,” and his favorite movie hero, the “Lone Ranger,” suggest clues to his destiny. After West Point, he joined the Air Force because “he wanted to fly more than anything.” Minor’s usual beautiful and realistic illustrations effectively convey spatial perspectives and movement, adding depth to the narrative. However, the cover design and type layout are confusing, indicative of a biography instead of an autobiography—a brief intro could have clarified it. Aldrin’s message in an author’s note avows, “If you set your sights high, you may accomplish more than you ever dreamed.” Pair this with Don Brown’s One Giant Step for a child’s-eye view on space exploration. (Flight/space exploration chronology) (Picture book/biography. 6-9)
Pub Date: June 1, 2005
ISBN: 0-06-055445-2
Page Count: 40
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 2005
Share your opinion of this book
More by Buzz Aldrin
BOOK REVIEW
by Buzz Aldrin & Marianne Dyson ; illustrated by Bruce Foster
BOOK REVIEW
by Buzz Aldrin and illustrated by Wendell Minor
by Willie Perdomo & illustrated by Bryan Collier ‧ RELEASE DATE: Feb. 1, 2001
A little girl is going with her daddy to visit the home of Langston Hughes. She too is a poet who writes about the loves of her life—her mommy and daddy, hip-hop, hopscotch, and double-dutch, but decidedly not kissing games. Langston is her inspiration because his poems make her “dreams run wild.” In simple, joyful verse Perdomo tells of this “Harlem girl” from “Harlem world” whose loving, supportive father tells her she is “Langston’s genius child.” The author’s own admiration for Hughes’s artistry and accomplishments is clearly felt in the voice of this glorious child. Langston’s spirit is a gentle presence throughout the description of his East 127th Street home and his method of composing his poetry sitting by the window. The presentation is stunning. Each section of the poem is part of a two-page spread. Text, in yellow, white, or black, is placed either within the illustrations or in large blocks of color along side them. The last page of text is a compilation of titles of Hughes’s poems printed in shades of gray in a myriad of fonts. Collier’s (Martin’s Big Words, 2001, etc.) brilliantly complex watercolor-and-collage illustrations provide the perfect visual complement to the work. From the glowing vitality of the little girl, to the vivid scenes of jazz-age Harlem, to the compelling portrait of Langston at work, to the reverential peak into Langston’s home, the viewer’s eye is constantly drawn to intriguing bits and pieces while never losing the sense of the whole. In this year of Langston Hughes’s centennial, this work does him great honor. (Poetry. 6-10)
Pub Date: Feb. 1, 2001
ISBN: 0-8050-6744-2
Page Count: 32
Publisher: Henry Holt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2002
Share your opinion of this book
More by Willie Perdomo
BOOK REVIEW
by Willie Perdomo & illustrated by Bryan Collier
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Hey there, book lover.
We’re glad you found a book that interests you!
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Trouble signing in? Retrieve credentials.
Welcome Back!
OR
Trouble signing in? Retrieve credentials.
Don’t fret. We’ll find you.