A mysterious and unsettling debut touching on grief, mourning, environmental calamity, and the healing potential of...
More than 25 years after serving in the Gulf War, Marty Bird still suffers from post-traumatic stress disorder.
In fact, neighbors recently phoned Marty’s daughter, Julie, in Vancouver to report that Marty seems to be getting worse, bellowing in the middle of the night and disturbing people’s sleep. Julie is perplexed, scared, and upends her life to return to Port Braid, a coastal town in British Columbia, to assist her ailing dad. After all, her mom is dead, and there are few friends able or willing to care for the elder Bird. Once home, however, Julie discovers that Marty’s decline is just one of a slew of issues tormenting local residents. Shockingly, a whale has washed ashore, and other animals—bats, caribou, deer, eagles, fish, hares, mice, raccoons, skunks—are dying in record numbers, drowning themselves or careening into walls or mountains. On top of this, a stranger has come into Port Braid and is captivating everyone in her orbit. Calling herself Jennie Lee Lewis, or JLL, she is a Jerry Lee Lewis impersonator. In short order, JLL has convinced Marty to let her perform in the restaurant he owns and move into the bungalow he’s lived in for decades even though Julie is still staying there, too. As the story unfolds, it becomes apparent that JLL and Marty have a shared history, but it is never clear why she tracked Marty down at this particular time or what she is hoping to achieve from the reunion. And these are not the only befuddlements. The story also suggests that wide-scale death is a necessary component of Earth’s rebirth, a curious concept for characters without overt religious convictions or a clearly articulated interest in spiritual matters.
A mysterious and unsettling debut touching on grief, mourning, environmental calamity, and the healing potential of friendship.Pub Date: May 8, 2018
ISBN: 978-1-77041-414-3
Page Count: 296
Publisher: ECW Press
Review Posted Online: March 4, 2018
Kirkus Reviews Issue: March 15, 2018
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
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SEEN & HEARD
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