Loose pacing and improbabilities mar a sometimes-stirring story of women fighting back.
When a young girl, her mother, and her grandmother are kidnapped, secrets come to the surface as they fight to escape.
Single mother Anne, a therapist, has always been close to her daughter, Thea. But now, not long after the two moved from a small town to a lovely new house in Burlington, Vermont, the 12-year-old has turned surly and uncommunicative. Anne prescribes herself a weekend getaway with Thea and Rose, a warmhearted bakery owner who is Anne’s mom and Thea’s beloved “Mimi.” But when they go out for a short hike in a remote (read: no cell signal) park on a bitterly cold day, the three are abducted by a stranger, who takes them at gunpoint to an isolated cabin. Thea was badly injured when he attacked them, the temperature is plummeting, their captor’s intentions are mysterious but clearly not kind, and they must rely on each other. Point of view changes with each chapter, moving among Anne, Thea, Rose, and the nameless man. Each character’s past comes into play, notably Anne’s marriage to Thea’s abusive father, although all of them have dark secrets. Some of the backstories contain crucial revelations—Rose is a lot steelier than she looks—but sometimes they go on at such length that the tension of the abduction sags. Thrillers often hinge on coincidence and improbable circumstances, but this one strains credulity with some, such as an unusual medical condition revealed late in the plot. Waite wrote a successful memoir, A Beautiful, Terrible Thing (2017), about her marriage to a con man, and that experience resonates in this novel. But awkward prose and structural weaknesses make it less than compelling.
Loose pacing and improbabilities mar a sometimes-stirring story of women fighting back.Pub Date: July 14, 2020
ISBN: 978-1-5247-4583-7
Page Count: 368
Publisher: Dutton
Review Posted Online: April 12, 2020
Kirkus Reviews Issue: May 1, 2020
BOOK REVIEW
The story unfolds so irresistibly that newcomers may think Grisham’s been writing thrillers like this his whole life.
What hasn’t legendary legal eagle Grisham tried yet? How about a thriller about serial kidnapping and international terrorism.
When Paul and Chelsea Tanner disappear during a day trip on their Paris honeymoon, their abductors demand a ransom of $2 million from Chelsea’s wealthy parents, and a few days later the same sum from Paul’s much less well-heeled parents. After orthopedist Lowell Clayburn, Chelsea’s father, ponies up the ransom without breathing a word to the authorities, his daughter is promptly released. But even though Paul’s parents sell their home, liquidate their assets, and borrow money from the Clayburns to meet the kidnappers’ demands, the villains hold on to Paul anyway. Asked whether he’s ever seen such an outcome in a double kidnapping, FBI deputy director Andrew Strong tells Lowell: “No, this is a new one.” But it’s not, as Strong knows all too well; it’s the third such active case, all involving honeymooning couples whose bridegrooms had served in the armed forces. After masterfully drawing readers in with his bare-knuckle account of the Tanners’ abduction and the attempt by their families and the CIA to tell the lies required to keep caring friends and the rapacious press at bay, Grisham effortlessly switches gears to follow CIA agent Rae Claire Russo and Stuart Nash, a former Department of Justice prosecutor at Guantanamo Bay who agrees to marry her so they can serve as bait for the kidnappers, whose motives include justice and revenge as well as cold hard cash. So much for the imprisoned Paul’s wistful reflection that “hopefully, it was only about money.”
The story unfolds so irresistibly that newcomers may think Grisham’s been writing thrillers like this his whole life.Pub Date: Sept. 29, 2026
ISBN: 9780385550543
Page Count: 352
Publisher: Doubleday
Review Posted Online: Aug. 17, 2026
Kirkus Reviews Issue: Sept. 15, 2026
The queen of social activist novels has done it again. Impressive, important, and fun to read.
The World Trade Center attacks are at the center of an intricate, twisty family drama spanning decades in both directions.
“You could brace for your sister to die of a terminal illness, only to have your healthy sibling killed in a random car wreck. You could carry a baby safely to term and then, on a bright blue day in September, walk into a building that collapsed beneath your feet.” Or you could be a character in a Jodi Picoult novel and face all of the above and much, much more. Fans of My Sister’s Keeper (2004) will notice a reference to that novel in the preceding quote and be glad to hear a character from that book is back. During the Covid-19 pandemic, former teenage delinquent Jesse Fitzgerald, now a detective on the Providence, Rhode Island, police force, meets Molly Ambrose, a 19-year-old prodigy who runs the state’s emergency preparedness and response program. “Despite the fact that there were fifteen years between us and we both had enough baggage to fill a cargo hold,” as Molly puts it, the two fall madly in love. The baggage she’s referring to includes, on her side, a mother who died on 9/11 when Molly was less than three months old. Picoult supplies her signature delightful banter and gift for depicting passion and romance to win the reader’s sympathy for this possibly questionable match between dedicated public servants, whose favorite game at bedtime is “Who can think of the most terrifying worst-case scenario?” Very little more can be revealed without spoilers, but trigger warnings for this book would be a long list indeed, ranging from suicide and filicide to rape and mental illness (welcome to Picoultland!). Subplots visit evangelical and Navajo cultures as well as the ins and outs of polygraphy. Make sure to read the afterword in which Picoult explains her real-life sources of inspiration.
The queen of social activist novels has done it again. Impressive, important, and fun to read.Pub Date: Sept. 15, 2026
ISBN: 9780593726259
Page Count: 464
Publisher: Ballantine
Review Posted Online: June 15, 2026
Kirkus Reviews Issue: July 15, 2026
SEEN & HEARD
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