Loose pacing and improbabilities mar a sometimes-stirring story of women fighting back.
When a young girl, her mother, and her grandmother are kidnapped, secrets come to the surface as they fight to escape.
Single mother Anne, a therapist, has always been close to her daughter, Thea. But now, not long after the two moved from a small town to a lovely new house in Burlington, Vermont, the 12-year-old has turned surly and uncommunicative. Anne prescribes herself a weekend getaway with Thea and Rose, a warmhearted bakery owner who is Anne’s mom and Thea’s beloved “Mimi.” But when they go out for a short hike in a remote (read: no cell signal) park on a bitterly cold day, the three are abducted by a stranger, who takes them at gunpoint to an isolated cabin. Thea was badly injured when he attacked them, the temperature is plummeting, their captor’s intentions are mysterious but clearly not kind, and they must rely on each other. Point of view changes with each chapter, moving among Anne, Thea, Rose, and the nameless man. Each character’s past comes into play, notably Anne’s marriage to Thea’s abusive father, although all of them have dark secrets. Some of the backstories contain crucial revelations—Rose is a lot steelier than she looks—but sometimes they go on at such length that the tension of the abduction sags. Thrillers often hinge on coincidence and improbable circumstances, but this one strains credulity with some, such as an unusual medical condition revealed late in the plot. Waite wrote a successful memoir, A Beautiful, Terrible Thing (2017), about her marriage to a con man, and that experience resonates in this novel. But awkward prose and structural weaknesses make it less than compelling.
Loose pacing and improbabilities mar a sometimes-stirring story of women fighting back.Pub Date: July 14, 2020
ISBN: 978-1-5247-4583-7
Page Count: 368
Publisher: Dutton
Review Posted Online: April 12, 2020
Kirkus Reviews Issue: May 1, 2020
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
A shaky balance between saccharine and sage will nevertheless appeal to the author’s fans and readers seeking balm.
An elderly man’s posthumous journey back through his life has unexpected consequences for several people, and lessons for everyone.
It is a truth universally acknowledged that readers adore any novel set in a reading group, bookshop, or library, from the terribly sad (The Guernsey Literary and Potato Peel Pie Society, 2008) to the puzzle-heavy (Mr. Penumbra’s 24-Hour Bookstore, 2012) to the downright clever (The Uncommon Reader by Alan Bennett, 2007). Haig, who’s already written The Midnight Library (2020), mines a similar vein in this novel centered on a bookseller named Wilbur Budd; place this one in the seriously sentimental category. Wilbur dies at 81 just after receiving a call from his ex-wife, Maggie. He finds himself on a classic steam-train carriage, accompanied by a younger version of the woman who founded the bookstore he turned into a global conglomerate. As Mrs. Agnes Bagdale explains, he’s on a trip to significant places and events from his life, but he’s forbidden from interfering in them, thus possibly changing the course of other people’s lives. True to his maverick tendencies, Wilbur struggles with the three rules of the train (“You get on and off the train as required. You never try and speak to yourself. And you must never be there when you fall asleep”) and struggles even more mightily as he realizes that Maggie was his true love and lifelong lodestar. While some moments verge on maudlin, as when Wilbur and Maggie goggle at Venice during their honeymoon, these are tempered by quieter observations, as when Wilbur’s oldest friend, Charlie, tells him frankly during lunch at a trendy restaurant that his constant ambition is a failing. This isn’t a subtle book and it’s not trying to be; it’s urging readers to think about their own choices, wherever they find themselves.
A shaky balance between saccharine and sage will nevertheless appeal to the author’s fans and readers seeking balm.Pub Date: May 26, 2026
ISBN: 9780593833377
Page Count: 304
Publisher: Viking
Review Posted Online: Feb. 16, 2026
Kirkus Reviews Issue: March 15, 2026
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