An irresistible tribute to classic screwball-comedy romances that captures the “delicious whirling, twirling, buzzing” of...

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ALEX, APPROXIMATELY

A movie-obsessed teen moves to her dad’s beach town and unexpectedly falls for an edgy surfer rather than the “film-buff soul mate” she was expecting to meet.

The summer before senior year, 17-year-old Bailey Rydell moves from D.C. to her father’s small beach town on the Central California coast. The one perk of moving is that “Alex,” her favorite chat-mate on a classic-film fan forum, lives there too, and she plans to surprise him—not that they know one another’s real names (she goes by “Mink” online). Her first day working at a mansion-cum-museum, introverted Bailey, a white girl who sports platinum-blonde Lana Turner pin curls, meets Porter Roth, a “ridiculously good-looking” but cocky 18-year-old security guard from a legendary local surfing family. Porter, who’s Hapa (half Polynesian/Chinese, half white), has a unique way of exasperating Bailey. As she futilely attempts to find Alex via chat-transcript clues, readers will figure out his identity long before she does. There’s definitely a The Shop Around the Corner buildup to the romantic chemistry, but in addition to their charming banter and online-quiz exchanges, Bailey and Porter also tackle substantive issues such as anxiety, PTSD, drug abuse, cheating, and sexual experience. Bennett creates an authentically multicultural ensemble, from Bailey’s Nigerian-by-way-of-London new bestie, Grace, to her dad’s Mexican-American girlfriend and Porter’s references to Hawaiian cultural beliefs.

An irresistible tribute to classic screwball-comedy romances that captures the “delicious whirling, twirling, buzzing” of falling in love. (Fiction. 14-18)

Pub Date: April 4, 2017

ISBN: 978-1-4814-7877-9

Page Count: 400

Publisher: Simon Pulse/Simon & Schuster

Review Posted Online: Feb. 14, 2017

Kirkus Reviews Issue: March 1, 2017

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This story is necessary. This story is important.

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THE HATE U GIVE

Sixteen-year-old Starr Carter is a black girl and an expert at navigating the two worlds she exists in: one at Garden Heights, her black neighborhood, and the other at Williamson Prep, her suburban, mostly white high school.

Walking the line between the two becomes immensely harder when Starr is present at the fatal shooting of her childhood best friend, Khalil, by a white police officer. Khalil was unarmed. Khalil’s death becomes national news, where he’s called a thug and possible drug dealer and gangbanger. His death becomes justified in the eyes of many, including one of Starr’s best friends at school. The police’s lackadaisical attitude sparks anger and then protests in the community, turning it into a war zone. Questions remain about what happened in the moments leading to Khalil’s death, and the only witness is Starr, who must now decide what to say or do, if anything. Thomas cuts to the heart of the matter for Starr and for so many like her, laying bare the systemic racism that undergirds her world, and she does so honestly and inescapably, balancing heartbreak and humor. With smooth but powerful prose delivered in Starr’s natural, emphatic voice, finely nuanced characters, and intricate and realistic relationship dynamics, this novel will have readers rooting for Starr and opening their hearts to her friends and family.

This story is necessary. This story is important. (Fiction. 14-adult)

Pub Date: Feb. 28, 2017

ISBN: 978-0-06-249853-3

Page Count: 464

Publisher: Balzer + Bray/HarperCollins

Review Posted Online: Dec. 6, 2016

Kirkus Reviews Issue: Dec. 15, 2016

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Though constrained, the work nevertheless stands apart in a literature that too often finds it hard to look hard truths in...

DEAR MARTIN

In this roller-coaster ride of a debut, the author summons the popular legacy of Martin Luther King Jr. to respond to the recent tragic violence befalling unarmed black men and boys.

Seventeen-year-old black high school senior Justyce McAllister, a full-scholarship student at the virtually all-white Braselton Prep, is the focus. After a bloody run-in with the police when they take his good deed for malice, Justyce seeks meaning in a series of letters with his “homie” Dr. King. He writes, “I thought if I made sure to be an upstanding member of society, I’d be exempt from the stuff THOSE black guys deal with, you know?” While he’s ranked fourth in his graduating class and well-positioned for the Ivy League, Justyce is coming to terms with the fact that there’s not as much that separates him from “THOSE black guys” as he’d like to believe. Despite this, Stone seems to position Justyce and his best friend as the decidedly well-mannered black children who are deserving of readers’ sympathies. They are not those gangsters that can be found in Justyce’s neighborhood. There’s nuance to be found for sure, but not enough to upset the dominant narrative. What if they weren’t the successful kids? While the novel intentionally leaves more questions than it attempts to answer, there are layers that still remain between the lines.

Though constrained, the work nevertheless stands apart in a literature that too often finds it hard to look hard truths in the face. Take interest and ask questions. (Fiction. 14-18)

Pub Date: Oct. 17, 2017

ISBN: 978-1-101-93949-9

Page Count: 224

Publisher: Crown

Review Posted Online: Aug. 7, 2017

Kirkus Reviews Issue: Aug. 15, 2017

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