A thoughtful examination of the slow, uneven recovery that follows a devastating loss.
There is so much that 12-year-old Drew can’t say.
He can’t ask his mom why, three years ago, his seemingly happy father killed himself. He can’t ask her why an old friend of hers, Phil, has suddenly shown up on his motorcycle and completely disrupted Drew’s life or whether or not, as he’s begun to suspect, that man is his real father. He can’t quite bring himself to tell prickly Audrey, the new helper at the library where he volunteers all summer, that he’s starting to really like her. And he can’t tell his best friend, Filipe, any of the things that are really on his mind. Perhaps the biggest thing he can’t communicate is that he’s terrified that whatever was wrong with his father could be haunting his future, too. In this believable, character-driven exploration of the long-lasting shadow suicide casts, Bishop imbues Drew, his loving mother, and Audrey with just enough insight to make their efforts to support each other fully believable. Drew’s emerging anger with his father is both poignant and tragically appropriate. Drew’s present-tense narration is candid and vulnerable, offering readers both mirrors for and windows to this particular, very difficult experience. The cast defaults to white. An author’s note discusses suicide and, together with an appended list of resources, offers direction for readers in search of support; in the acknowledgments, Bishop briefly describes her research.
A thoughtful examination of the slow, uneven recovery that follows a devastating loss. (Fiction. 10-14)Pub Date: March 3, 2020
ISBN: 978-1-5344-4097-5
Page Count: 336
Publisher: Aladdin
Review Posted Online: Nov. 23, 2019
Kirkus Reviews Issue: Dec. 15, 2019
BOOK REVIEW
BOOK REVIEW
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic.
Chainani works an elaborate sea change akin to Gregory Maguire’s Wicked (1995), though he leaves the waters muddied.
Every four years, two children, one regarded as particularly nice and the other particularly nasty, are snatched from the village of Gavaldon by the shadowy School Master to attend the divided titular school. Those who survive to graduate become major or minor characters in fairy tales. When it happens to sweet, Disney princess–like Sophie and her friend Agatha, plain of features, sour of disposition and low of self-esteem, they are both horrified to discover that they’ve been dropped not where they expect but at Evil and at Good respectively. Gradually—too gradually, as the author strings out hundreds of pages of Hogwarts-style pranks, classroom mishaps and competitions both academic and romantic—it becomes clear that the placement wasn’t a mistake at all. Growing into their true natures amid revelations and marked physical changes, the two spark escalating rivalry between the wings of the school. This leads up to a vicious climactic fight that sees Good and Evil repeatedly switching sides. At this point, readers are likely to feel suddenly left behind, as, thanks to summary deus ex machina resolutions, everything turns out swell(ish).
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic. (Fantasy. 11-13)Pub Date: May 14, 2013
ISBN: 978-0-06-210489-2
Page Count: 496
Publisher: Harper/HarperCollins
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: April 15, 2013
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
A captivating book situated in present-day discourse around the refugee crisis, featuring two boys who stand by their high...
Two parallel stories, one of a Syrian boy from Aleppo fleeing war, and another of a white American boy, son of a NATO contractor, dealing with the challenges of growing up, intersect at a house in Brussels.
Ahmed lost his father while crossing the Mediterranean. Alone and broke in Europe, he takes things into his own hands to get to safety but ends up having to hide in the basement of a residential house. After months of hiding, he is discovered by Max, a boy of similar age and parallel high integrity and courage, who is experiencing his own set of troubles learning a new language, moving to a new country, and being teased at school. In an unexpected turn of events, the two boys and their new friends Farah, a Muslim Belgian girl, and Oscar, a white Belgian boy, successfully scheme for Ahmed to go to school while he remains in hiding the rest of the time. What is at stake for Ahmed is immense, and so is the risk to everyone involved. Marsh invites art and history to motivate her protagonists, drawing parallels to gentiles who protected Jews fleeing Nazi terror and citing present-day political news. This well-crafted and suspenseful novel touches on the topics of refugees and immigrant integration, terrorism, Islam, Islamophobia, and the Syrian war with sensitivity and grace.
A captivating book situated in present-day discourse around the refugee crisis, featuring two boys who stand by their high values in the face of grave risk and succeed in drawing goodwill from others. (Historical fiction. 10-14)Pub Date: Aug. 7, 2018
ISBN: 978-1-250-30757-6
Page Count: 368
Publisher: Roaring Brook Press
Review Posted Online: June 10, 2018
Kirkus Reviews Issue: July 1, 2018
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