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LOVE & OLIVES

A summery, romantic getaway.

Recurring nightmares remind Olive—who has carved out a new, post-dad identity as Liv—about why she doesn’t talk about her father anymore.

The symbolism of dreaming about drowning while searching for the lost city of Atlantis, a mission her father, Nico Varanakis, has dedicated his life to, is impossible to ignore. His kitschy postcards, which suddenly started arriving two years ago, only make her feel worse. His latest is an invitation to visit him in Greece, and she is quick to decline. But at her mother’s insistence that she try to reconnect with him, Liv finds herself in beautiful Santorini, joining her father’s filmmaking crew and sharing a bunk in a bookstore with his assistant, Theo—a Greek teenager who charms her instantly. They are working on a documentary detailing Nico’s Atlantean theories for National Geographic, an endeavor Liv finds both exciting and panic-inducing. Her recounting throughout of the 26 items her father left behind when he walked away from their family, and which Liv secreted in a shoebox under her bed, provides insight into his imprint on her memory, but their impending reconciliation requires a deeper dive and Liv has always stayed at the surface when it comes to Nico. The search for Atlantis and information about Greek philosophers add interest to the sweet, if at times predictable, story. There is a little diversity among the non-Greek supporting cast.

A summery, romantic getaway. (Fiction. 12-16)

Pub Date: Nov. 10, 2020

ISBN: 978-1-5344-4883-4

Page Count: 352

Publisher: Simon & Schuster

Review Posted Online: Aug. 27, 2020

Kirkus Reviews Issue: Sept. 15, 2020

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DEAD WEDNESDAY

Characters to love, quips to snort at, insights to ponder: typical Spinelli.

For two teenagers, a small town’s annual cautionary ritual becomes both a life- and a death-changing experience.

On the second Wednesday in June, every eighth grader in Amber Springs, Pennsylvania, gets a black shirt, the name and picture of a teen killed the previous year through reckless behavior—and the silent treatment from everyone in town. Like many of his classmates, shy, self-conscious Robbie “Worm” Tarnauer has been looking forward to Dead Wed as a day for cutting loose rather than sober reflection…until he finds himself talking to a strange girl or, as she would have it, “spectral maiden,” only he can see or touch. Becca Finch is as surprised and confused as Worm, only remembering losing control of her car on an icy slope that past Christmas Eve. But being (or having been, anyway) a more outgoing sort, she sees their encounter as a sign that she’s got a mission. What follows, in a long conversational ramble through town and beyond, is a day at once ordinary yet rich in discovery and self-discovery—not just for Worm, but for Becca too, with a climactic twist that leaves both ready, or readier, for whatever may come next. Spinelli shines at setting a tongue-in-cheek tone for a tale with serious underpinnings, and as in Stargirl (2000), readers will be swept into the relationship that develops between this adolescent odd couple. Characters follow a White default.

Characters to love, quips to snort at, insights to ponder: typical Spinelli. (Fiction. 12-15)

Pub Date: Aug. 3, 2021

ISBN: 978-0-593-30667-3

Page Count: 240

Publisher: Knopf

Review Posted Online: May 31, 2021

Kirkus Reviews Issue: June 15, 2021

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NYXIA

From the Nyxia Triad series , Vol. 1

Fast-moving and intriguing though inconsistent on multiple fronts.

Kids endure rigorous competition aboard a spaceship.

When Babel Communications invites 10 teens to participate in “the most serious space exploration known to mankind,” Emmett signs on. Surely it’s the jackpot: they’ll each receive $50,000 every month for life, and Emmett’s mother will get a kidney transplant, otherwise impossible for poor people. They head through space toward the planet Eden, where they’ll mine a substance called nyxia, “the new black gold.” En route, the corporation forces them into brutal competition with one another—fighting, running through violent virtual reality racecourses, and manipulating nyxia, which can become almost anything. It even forms language-translating facemasks, allowing Emmett, a black boy from Detroit, to communicate with competitors from other countries. Emmett's initial understanding of his own blackness may throw readers off, but a black protagonist in outer space is welcome. Awkward moments in the smattering of black vernacular are rare. Textual descriptions can be scanty; however, copious action and a reality TV atmosphere (the scoreboard shows regularly) make the pace flow. Emmett’s first-person voice is immediate and innocent: he realizes that Babel’s ruthless and coldblooded but doesn’t apply that to his understanding of what’s really going on. Readers will guess more than he does, though most confirmation waits for the next installment—this ends on a cliffhanger.

Fast-moving and intriguing though inconsistent on multiple fronts. (Science fiction. 12-16)

Pub Date: Sept. 12, 2017

ISBN: 978-0-399-55679-1

Page Count: 384

Publisher: Crown

Review Posted Online: July 14, 2017

Kirkus Reviews Issue: Aug. 1, 2017

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