An assured second volume in this feminism-inflected saga.
In this sequel to The Women’s War (2019), Glass continues to explore the question of what happens when women wield power.
When last we left our two heroines, Alys and Ellin, both were exploring their power as sovereign rulers, and their journeys continue in this volume. Alys is going to have to overcome a terrible loss if she’s going to lead the citizens of Women’s Well, a newly founded colony in which men and women are equal. And Ellin must fight to keep her crown in a country not quite ready for a woman to reign supreme. Both women are adjusting to a new reality in their world. After centuries in which men ruled both state and religion, a spell cast by Alys’ mother, Brynna, has made it possible for women to decide whether or not they conceive and carry children. Not only does this present a grave challenge to patriarchy, but it also reveals that women’s magic might well be as strong as that of men. The writing here is a bit more assured than it was in the first installment of this three-part series. A surfeit of scene-setting detail often slowed the narrative in that book; this one moves at a slightly faster clip. But one aspect of fantasy—present from The Lord of the Rings to the Earthsea trilogy and beyond—that's missing here is a sense of existential drama. Glass spends a lot of time on court intrigue and international alliances and trade agreements and interpersonal relationships—all of which seem to go on much as they always have. The fact that women are in control of their reproductive destinies and the discovery that women’s magic is more powerful than anyone imagined feel like they should be world-changing, but…they just kind of aren’t. Of course, there are readers who might argue that traditional sword-and-sorcery epics often fail when it comes to character development and emotional richness, especially with female characters; such readers might appreciate Glass’ more intimate, character-driven approach to fantasy. People who enjoyed the first installment in this series should enjoy the second, and people who wanted to like it but got discouraged by the slow pace might want to give Glass another chance.
An assured second volume in this feminism-inflected saga.Pub Date: March 17, 2020
ISBN: 978-0-525-61837-9
Page Count: 592
Publisher: Del Rey
Review Posted Online: Jan. 12, 2020
Kirkus Reviews Issue: Feb. 1, 2020
BOOK REVIEW
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.
Cormac McCarthy's The Road meets Chaucer's Canterbury Tales in this frightful medieval epic about an orphan girl with visionary powers in plague-devastated France.
The year is 1348. The conflict between France and England is nothing compared to the all-out war building between good angels and fallen ones for control of heaven (though a scene in which soldiers are massacred by a rainbow of arrows is pretty horrific). Among mortals, only the girl, Delphine, knows of the cataclysm to come. Angels speak to her, issuing warnings—and a command to run. A pack of thieves is about to carry her off and rape her when she is saved by a disgraced knight, Thomas, with whom she teams on a march across the parched landscape. Survivors desperate for food have made donkey a delicacy and don't mind eating human flesh. The few healthy people left lock themselves in, not wanting to risk contact with strangers, no matter how dire the strangers' needs. To venture out at night is suicidal: Horrific forces swirl about, ravaging living forms. Lethal black clouds, tentacled water creatures and assorted monsters are comfortable in the daylight hours as well. The knight and a third fellow journeyer, a priest, have difficulty believing Delphine's visions are real, but with oblivion lurking in every shadow, they don't have any choice but to trust her. The question becomes, can she trust herself? Buehlman, who drew upon his love of Fitzgerald and Hemingway in his acclaimed Southern horror novel, Those Across the River (2011), slips effortlessly into a different kind of literary sensibility, one that doesn't scrimp on earthy humor and lyrical writing in the face of unspeakable horrors. The power of suggestion is the author's strong suit, along with first-rate storytelling talent.
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.Pub Date: Oct. 2, 2012
ISBN: 978-1-937007-86-7
Page Count: 432
Publisher: Ace/Berkley
Review Posted Online: Sept. 1, 2012
Kirkus Reviews Issue: Sept. 15, 2012
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