The plotting is a tangled mess, but veteran Ashley gets the upstairs-but-mostly-downstairs milieu just right.
Twelve years after his reported death in 1870, Katharine Holloway’s husband is still making trouble for her.
Not till after the Devonshire sank with all hands off the coast of Antigua did Kat realize Joseph Bristow wasn’t even her husband; he’d already been married to another woman when he took Kat to the altar and to bed and left her pregnant. Now Charlotte Bristow has come to Mount Street, where Kat works as the Bywater family's cook, with a bold-faced request: Could Kat join her in looking for a substantial pot of money Joe was reputed to have left behind? Kat, already dedicated to spending every free hour with Grace, the daughter she’s placed with her friend Joanna Millburn so that she can keep the girl's existence secret from her employers, is far from eager to collaborate with the woman who looks down on her as a paramour. But encouraged by Daniel McAdam, a friend who does dangerous freelance jobs for Scotland Yard, she agrees to make inquiries and soon learns that Joe not only wasn’t really her husband, he wasn’t really Joseph Bristow, either. He was the leader of a thieving gang who’d surreptitiously returned to London after being transported to Australia, and he wasn’t aboard the Devonshire when it went down but was bashed to death shortly afterward. Apart from the difficulties of reopening a 12-year-old case, Kat finds herself drawn into the orbit of a series of powerful men who’ve linked Joe to a robbery of the Royal Mint that would have provided a handsome legacy well worth it for Kat to have killed him for.
The plotting is a tangled mess, but veteran Ashley gets the upstairs-but-mostly-downstairs milieu just right.Pub Date: Aug. 2, 2022
ISBN: 978-0-440001-79-9
Page Count: 336
Publisher: Berkley
Review Posted Online: May 10, 2022
Kirkus Reviews Issue: June 1, 2022
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Enough clues, red herrings, and false endings to make readers feel that the Orient Express has put out to sea.
A luxury liner bound for New York in 1924 becomes the scene of a twisty golden age pastiche.
When an unnamed third-class passenger discovers the body of an elderly man at the bottom of an exterior flight of stairs aboard the Endeavour, Capt. McCrory insists it must be an accident. But James Temple, a Scotland Yard detective who just happens to be aboard, says that no one would have ventured to the outdoor steps in the rain without a coat, so the death should be treated as suspicious. Unable to stop Temple from investigating, McCrory assigns ship’s officer Timothy Birch to accompany him, and Birch promptly becomes the world’s most unwilling Dr. Watson, constantly battling Temple over theories and procedures. Anxious that they have only four days to find a potential killer before the ship docks and lets its 2,000 passengers roam free in New York, he’s especially infuriated at the leisurely pace marked by Temple’s bromide, “Facts before witnesses.” There’s reason to sympathize with Temple, because the suspects in first and second class (the only classes that matter in this ultra-class-conscious world) are cardboard cutouts—the successful banker, his trophy wife, the aspiring artists, the gallery owner—who are much less interesting than the secrets they’re hiding. In his most anachronistic development, author Hindle shows Birch, unlike the imperturbable sidekicks he echoes, sunk in grief over his vanished daughter, Amelia, and his estranged wife, Kate, who left him after Amelia disappeared during one of his ocean voyages. He’d do anything to get his daughter back, he tells Temple, and his determination leads to the biggest surprise of all.
Enough clues, red herrings, and false endings to make readers feel that the Orient Express has put out to sea.Pub Date: Sept. 29, 2026
ISBN: 9798217185740
Page Count: 464
Publisher: Dutton
Review Posted Online: July 20, 2026
Kirkus Reviews Issue: Aug. 15, 2026
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
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