by Jennifer Brown ‧ RELEASE DATE: Feb. 14, 2017
It’s good that Nikki’s developed some self-control, as it will help motivate readers to stick around for Volume 3 and the...
In this sequel to Shade Me (2016), synesthete Nikki Kill continues her search for the murderer of Peyton Hollis and for answers that can explain her own past.
Nikki sees colors signifying emotions. Peyton, who turned out to be her long-estranged half sister, also had synesthesia and left color clues that she apparently believed Nikki could follow. The villains of the first book, the Hollises, have escaped to Dubai, and their dangerous daughter Luna is in juvenile detention—or so Nikki thinks. Now the white teen learns that she has become a suspect in Peyton’s murder. That intended suspense point doesn’t really work, as early on the assistant DA reveals that she agrees that Nikki probably is being framed. However, there’s plenty more to hold readers’ attention as Nikki and her sidekick, Detective Chris Martinez, the appealing and successful young Latino policeman she met previously, get themselves into danger as they continue to investigate. Hints (some in the form of synesthetic purple special effects) that a romance might develop between Nikki and Chris abound throughout the book. Brown keeps Nikki’s chip firmly on her shoulder, but her protagonist is more willing in this installment to work with Chris rather than get in trouble independently.
It’s good that Nikki’s developed some self-control, as it will help motivate readers to stick around for Volume 3 and the continuation of the mystery. (Suspense. 12-18)Pub Date: Feb. 14, 2017
ISBN: 978-0-06-232446-7
Page Count: 480
Publisher: Katherine Tegen/HarperCollins
Review Posted Online: Oct. 18, 2016
Kirkus Reviews Issue: Nov. 1, 2016
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by Jennifer Brown ; illustrated by Marta Kissi
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by Jennifer Brown ; illustrated by Marta Kissi
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New York Times Bestseller
by Lynn Painter ‧ RELEASE DATE: May 4, 2021
Exactly what the title promises.
Awards & Accolades
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Our Verdict
GET IT
New York Times Bestseller
A grieving teen’s devotion to romance films might ruin her chances at actual romance.
Liz Buxbaum has always adored rom-coms, not least for helping her still feel close to her screenwriter mother, who died when she was little. Liz hopes that her senior year might turn into a real-life romantic fantasy, as an old crush has moved back to town, cuter and nicer than ever. Surely she can get Michael to ask her to prom. If only Wes, the annoying boy next door, would help her with her scheming! This charming, fluffy concoction manages to pack into one goofy plot every conceivable trope, from fake dating to the makeover to the big misunderstanding. Creative, quirky, daydreaming Liz is just shy of an annoying stereotype, saved by a dry wit and unresolved grief and anger. Wes makes for a delightful bad boy with a good heart, and supporting characters—including a sassy best friend, a perfect popular rival, even a (not really) evil stepmother—all get the opportunity to transcend their roles. The only villain here is Liz’s lovelorn imagination, provoking her into foolish lies that cause actual hurt feelings; but she is sufficiently self-aware to make amends just in time for the most important trope of all: a blissfully happy ending. All characters seem to be White by default.
Exactly what the title promises. (Romance. 12-18)Pub Date: May 4, 2021
ISBN: 978-1-5344-6762-0
Page Count: 368
Publisher: Simon & Schuster
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
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by Lynn Painter
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BOOK TO SCREEN
by Daniel Aleman ‧ RELEASE DATE: May 4, 2021
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
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