She doesn’t have the answers for why her boyfriend chose a May morning to kill six classmates and wound several others, but Valerie Leftman is one of the only people who can still remember the good in Nick Levil. As she builds her post-Nick identity during her senior year, Valerie forms an unlikely friendship with one of the shooting victims, explores art therapy and watches her family structure dissolve. Blending flashbacks, current events and newspaper articles together, Brown creates a compelling narrative that drives readers forward. Valerie’s fractured relationships break along genuine stress lines, creating rich and realistic characters; the cathartic argument Valerie has with her brother and parents writhes with pent-up emotion. The author creates an appropriately complex narrative for the issues, though her attempts to address every single aspect lead to some simplified resolutions. Authentic and relevant, this debut is one to top the charts. (Fiction. YA)
Pub Date: Sept. 1, 2009
ISBN: 978-0-316-04144-7
Page Count: 416
Publisher: Little, Brown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 2009
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A thought-provoking exploration of storytelling dynamics in a social media–driven society.
A Black basketball star starts his senior year by pivoting to find his true voice in the classroom.
Ossie Brown was destined for greatness before an injury in a game ended his high school basketball career. Ossie feels like his future was stolen—and on top of that, his girlfriend dumps him. Grandma Alice comforts him with a reminder that basketball doesn’t define him; still, the game helped Ossie cope with his fractured relationship with his widowed mother. A new opportunity opens up when Ms. Hunt, Ossie’s Black English teacher at mostly white Braxton Academy, where he has a full-ride scholarship, tells him about the Mark Twain Creative Writing Program. A vivid dream in which his father speaks to him inspires Ossie’s application essay. He connects with Luis and Naima, the only other participants who aren’t white, but agitation by conservative students against a “woke agenda” leads to Ms. Hunt’s replacement by a teacher who exclusively uses texts by white authors. Ossie’s online attempt to support Naima’s protest has unintended consequences, and he’s forced to reevaluate his solo activism. The central characters’ relationships will engage readers, and Ossie’s dilemma will resonate with anyone whose good intentions have gone sideways. Committed, pragmatic, and reflective Ossie ultimately learns from Grandma Alice’s wise counsel: “This thing of ours—life, you see—is only as beautiful as the bonds we make as we journey through it.”
A thought-provoking exploration of storytelling dynamics in a social media–driven society. (Fiction. 14-18)Pub Date: May 6, 2025
ISBN: 9781536233469
Page Count: 384
Publisher: Candlewick
Review Posted Online: Feb. 1, 2025
Kirkus Reviews Issue: March 1, 2025
A visceral, weighty read.
An unflinching portrayal of the complexities of one teenager’s journey through alcoholism and recovery.
Bella took her first drink when she was 11. Now she’s 15, and she and her friends have perfected the art of asking strangers outside liquor stores to buy them booze. It’s the best way to cope with her parents’ fighting, the grief and trauma of watching her beloved grandmother die, acting as a caregiver to her younger sister, and getting dumped by her first boyfriend, who said she was “too much.” A party a few weeks ago led to the drunken mess of a night known as Bella’s Extremely Unfortunate Public Downfall, after which her mom ruled: “no drinking, no parties.” But Bella’s parents are divorced, and when she’s staying with her permissive and inattentive dad, who’ll stop her? After Bella blacks out at a Thanksgiving party and her friends drop her on her mom’s stoop, she ends up hospitalized with alcohol poisoning and a broken face. Her mom sends her to an outdoorsy rehab center with a program focused on building self-awareness and self-reliance. Bella’s experiences with the program and her fellow residents are depicted with realistic nuance; nothing comes easily, and Glasgow carefully addresses relapses, anxiety disorder, self-harm, and death. After Bella’s treatment ends, she discovers that returning to her life may be the most significant challenge of all. Most characters are cued white.
A visceral, weighty read. (author’s note, resources) (Fiction. 14-18)Pub Date: Oct. 1, 2024
ISBN: 9780525708087
Page Count: 464
Publisher: Delacorte
Review Posted Online: July 19, 2024
Kirkus Reviews Issue: Aug. 15, 2024
PERSPECTIVES
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