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EMERALD CITY

AND OTHER STORIES

The author of the novel The Invisible Circus (1994) collects 11 somewhat strained stories that seem suited to the glossy venues in which they first appeared (e.g., GQ and Mademoiselle): They're slick if utterly predictable lifestyle studies that entertain very conventional notions of conformity and wildness. Most often, Egan's financially successful protagonists yearn for the simplicity or adventure of their previous lives. In ``Why China?,'' an unhappy stock trader—who's being investigated for improprieties—takes his family to remote China on vacation partly to recapture his former bohemian self. Similarly, ``The Watch Trick'' compares the lives of two army buddies, one settled into a stable married life, the other still living from scam to scam. The title story concerns the other side of the dream, when desire still motivates the young and ambitious—in this case, a photographer's assistant and his wannabe-model girlfriend. It's sort of a morality tale (being beautiful isn't always enough) for the Seventeen set. Egan's stronger pieces are told from a young girl's point of view and usually involve some sort of small, if intense, revelation: discovering that her father is unfaithful to her long-suffering mother (``Puerta Vallarta''); that she can redeem her older brother from his guilt over their mother's death (``One Piece''); that her mother's second husband is really a nice guy (``Sacred Heart''); and that maybe life isn't so bad as a ``watcher'' rather than a ``doer'' of wild stunts. Egan also worries a lot about older women cast aside by their successful husbands: the ex-wife of the investment banker who long condescended to the woman passed around by her husband's friends only to find that he too had been with her (``Passing the Hat''); and the 32-year-old divorcÇe of ``Spanish Winter'' who sleeps around Spain, giving up on life until she hooks up with a shady investor on the run. The lure of adventure and the lust for wealth in Egan's schematic little fictions are just yuppie fantasies; she seldom gets beyond the clichÇs of money and personal crisis.

Pub Date: Feb. 1, 1996

ISBN: 0-385-48212-4

Page Count: 192

Publisher: Nan A. Talese

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 15, 1995

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THE THINGS THEY CARRIED

It's being called a novel, but it is more a hybrid: short-stories/essays/confessions about the Vietnam War—the subject that O'Brien reasonably comes back to with every book. Some of these stories/memoirs are very good in their starkness and factualness: the title piece, about what a foot soldier actually has on him (weights included) at any given time, lends a palpability that makes the emotional freight (fear, horror, guilt) correspond superbly. Maybe the most moving piece here is "On The Rainy River," about a draftee's ambivalence about going, and how he decided to go: "I would go to war—I would kill and maybe die—because I was embarrassed not to." But so much else is so structurally coy that real effects are muted and disadvantaged: O'Brien is writing a book more about earnestness than about war, and the peekaboos of this isn't really me but of course it truly is serve no true purpose. They make this an annoyingly arty book, hiding more than not behind Hemingwayesque time-signatures and puerile repetitions about war (and memory and everything else, for that matter) being hell and heaven both. A disappointment.

Pub Date: March 28, 1990

ISBN: 0618706410

Page Count: 256

Publisher: Houghton Mifflin

Review Posted Online: Oct. 2, 2011

Kirkus Reviews Issue: Feb. 15, 1990

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A KNIGHT OF THE SEVEN KINGDOMS

As Tolkien had his Silmarillion, so Martin has this trilogy of foundational tales. They succeed on their own, but in...

Huzzah! Martin (The Ice Dragon, 2014, etc.) delivers just what fans have been waiting for: stirring tales of the founding of the Targaryen line.

Duncan—Dunk for short—has his hapless moments. He’s big, nearly gigantic, “hugely tall for his age, a shambling, shaggy, big-boned boy of sixteen or seventeen.” Uncertain of himself, clumsy, and alone in the world, he has every one of the makings of a hero, if only events will turn in that direction. They do, courtesy of a tiny boy who steals into the “hedge knight” Dunk’s life and eventually reveals a name to match that of Ser Duncan the Tall—an altogether better name, at that, than Duncan of Flea Bottom would have been. Egg, as the squire calls himself, has a strange light about him, as if he will be destined to go on to better things, as indeed he will. Reminiscent of a simpler Arthur Rackham, the illustrations capture that light, as they do the growing friendship between Dunk and Egg—think Manute Bol and Muggsy Bogues, if your knowledge of basketball matches your interest in fantasy. This being Martin, that friendship will not be without its fraught moments, its dangers and double crosses and knightly politics. There are plenty of goopily violent episodes as well, from jousts (“this time Lord Leo Tyrell aimed his point so expertly he ripped the Grey Lion’s helm cleanly off his head”) to medieval torture (“Egg…used the hat to fan away the flies. There were hundreds crawling on the dead men, and more drifting lazily through the still, hot air.”). Throughout, Martin delivers thoughtful foreshadowing of the themes and lineages that will populate his Ice and Fire series, in which Egg, it turns out, is much less fragile than he seems.

As Tolkien had his Silmarillion, so Martin has this trilogy of foundational tales. They succeed on their own, but in addition, they succeed in making fans want more—and with luck, Martin will oblige them with more of these early yarns.

Pub Date: Oct. 6, 2015

ISBN: 978-0-345-53348-7

Page Count: 368

Publisher: Bantam

Review Posted Online: Oct. 6, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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