Too much time on the tarmac, not enough time in the air.
A teenage boy with attention issues tries to escape his small town in Washington by stealing and crashing small planes from local airfields.
Readers meet 18-year-old Robert Jackson Kelley on his final flight, after he’s stolen, flown, and crash-landed a series of planes in the small vacation town of Yannatok before being apprehended by local police and sentenced to 10 years in a maximum security prison. In faux-documentary style, Fenn constructs a thorough if somewhat sluggish chronicle of Robert’s childhood and adolescence, detailing the mental, physical, and societal factors that led to his unusual crime spree. These include ADHD issues, a single working mom who pays scant attention to him, a father in prison, and a spotty school record. That none of these factors is race combines with absence of markers to imply a white default. Robert’s story, based on the real-life exploits of teen plane thief Colton Harris-Moore, is relayed in a crisp, journalistic style, peppered with fictional interviews, talk-show transcripts, and newspaper articles. Though the package promises a pacey thriller, Robert doesn’t crash his first plane until almost 200 pages in, which may cause some readers to give up before the exciting third act, which is rife with police chases, vacation-home burglaries, and, of course, plane crashes.
Too much time on the tarmac, not enough time in the air. (Fiction. 12-18)Pub Date: July 18, 2017
ISBN: 978-1-62672-760-1
Page Count: 256
Publisher: Roaring Brook Press
Review Posted Online: April 16, 2017
Kirkus Reviews Issue: May 1, 2017
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
Exactly what the title promises.
A grieving teen’s devotion to romance films might ruin her chances at actual romance.
Liz Buxbaum has always adored rom-coms, not least for helping her still feel close to her screenwriter mother, who died when she was little. Liz hopes that her senior year might turn into a real-life romantic fantasy, as an old crush has moved back to town, cuter and nicer than ever. Surely she can get Michael to ask her to prom. If only Wes, the annoying boy next door, would help her with her scheming! This charming, fluffy concoction manages to pack into one goofy plot every conceivable trope, from fake dating to the makeover to the big misunderstanding. Creative, quirky, daydreaming Liz is just shy of an annoying stereotype, saved by a dry wit and unresolved grief and anger. Wes makes for a delightful bad boy with a good heart, and supporting characters—including a sassy best friend, a perfect popular rival, even a (not really) evil stepmother—all get the opportunity to transcend their roles. The only villain here is Liz’s lovelorn imagination, provoking her into foolish lies that cause actual hurt feelings; but she is sufficiently self-aware to make amends just in time for the most important trope of all: a blissfully happy ending. All characters seem to be White by default.
Exactly what the title promises. (Romance. 12-18)Pub Date: May 4, 2021
ISBN: 978-1-5344-6762-0
Page Count: 368
Publisher: Simon & Schuster
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK TO SCREEN
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