The definitive account of a remarkable and flawed artist.
An intricate, meticulously researched biography of the revered and controversial dance icon.
George Balanchine (1904-1983), famed choreographer and co-founder of the New York City Ballet, was private about his genius and how he created such beautiful art. He once turned down a request for his biography, saying that his inspiration “is not going to be written down anywhere, for anybody to know.” In this engrossing, vivid account of his life, Homans, a former dancer and current critic for the New Yorker, acknowledges her subject’s personal failings while also portraying him as a man enjoying the sensuous pleasures of life. After the powerlessness and instability of his childhood in Russia, he fashioned an identity for himself in a world that he could control using a language that he helped create. He spoke through his dancers. The author, who also wrote Apollo’s Angels: The History of Ballet, is an expert in her field, and she eschews the task of trying to “define” Balanchine, instead unearthing the various “truths” about him and presenting them without judgment. Homans creates an admiring, honest, and page-turning tribute to this magnetic and complicated figure. Though the text is grounded in conscientious research, the author acknowledges the inability to ever truly “know” a person. The candid admission of Balanchine's fluidity of memory enables Homans to compose a biography that has all of the sumptuousness and lyricism of a fairy tale. She movingly depicts numerous key moments in her subject’s life, from his mother miraculously winning the lottery and subsequently losing the fortune to Balanchine being plucked from the examination pool to join the ballet corps of the Imperial Theater School. Given that Balanchine embellished some memories and omitted others from his own narrative, this gripping book reveals a talented artist who feels familiar and yet unknowable and whose greatest creation was quite possibly his own mystique, which still fascinates.
The definitive account of a remarkable and flawed artist.Pub Date: Nov. 1, 2022
ISBN: 978-0-8129-9430-8
Page Count: 784
Publisher: Random House
Review Posted Online: Sept. 27, 2022
Kirkus Reviews Issue: Oct. 15, 2022
BOOK REVIEW
Skloot's meticulous, riveting account strikes a humanistic balance between sociological history, venerable portraiture and...
A dense, absorbing investigation into the medical community's exploitation of a dying woman and her family's struggle to salvage truth and dignity decades later.
In a well-paced, vibrant narrative, Popular Science contributor and Culture Dish blogger Skloot (Creative Writing/Univ. of Memphis) demonstrates that for every human cell put under a microscope, a complex life story is inexorably attached, to which doctors, researchers and laboratories have often been woefully insensitive and unaccountable. In 1951, Henrietta Lacks, an African-American mother of five, was diagnosed with what proved to be a fatal form of cervical cancer. At Johns Hopkins, the doctors harvested cells from her cervix without her permission and distributed them to labs around the globe, where they were multiplied and used for a diverse array of treatments. Known as HeLa cells, they became one of the world's most ubiquitous sources for medical research of everything from hormones, steroids and vitamins to gene mapping, in vitro fertilization, even the polio vaccine—all without the knowledge, must less consent, of the Lacks family. Skloot spent a decade interviewing every relative of Lacks she could find, excavating difficult memories and long-simmering outrage that had lay dormant since their loved one's sorrowful demise. Equal parts intimate biography and brutal clinical reportage, Skloot's graceful narrative adeptly navigates the wrenching Lack family recollections and the sobering, overarching realities of poverty and pre–civil-rights racism. The author's style is matched by a methodical scientific rigor and manifest expertise in the field.
Skloot's meticulous, riveting account strikes a humanistic balance between sociological history, venerable portraiture and Petri dish politics.Pub Date: Feb. 9, 2010
ISBN: 978-1-4000-5217-2
Page Count: 320
Publisher: Crown
Review Posted Online: Dec. 22, 2010
Kirkus Reviews Issue: Jan. 1, 2010
BOOK REVIEW
Strictly for dittoheads.
An unabashed celebration of the late talking head.
Rush Limbaugh (1951-2021) insisted that he had a direct line to God, who blessed him with brilliance unseen since the time of the Messiah. In his tribute, Florida Gov. Ron DeSantis calls him “the greatest broadcaster that [sic] ever lived.” That’s an accidental anointment, given checkered beginnings. Limbaugh himself records that, after earning a failing grade for not properly outlining a speech, he dropped out of college—doubtless the cause of his scorn for higher education. This book is a constant gush of cult-of-personality praise, with tributes from Ben Carson, Mike Pence, Donald Trump, and others. One radio caller called Limbaugh “practically perfect” and a latter-day George Washington by virtue of “the magnetism and the trust and the belief of all the people.” Limbaugh insists that conservatives are all about love, though he filled the airwaves with bitter, divisive invective about the evils of liberals, as with this tidbit: “to liberals, the Bill of Rights is horrible, the Bill of Rights grants citizens freedom….The Bill of Rights limits the federal government, and that’s negative to a socialist like Obama.” Moreover, “to Democrats, America’s heartland is ‘flyover’ country. They don’t know, or like, the Americans who live there, or their values.” Worse still for a money machine like Limbaugh, who flew over that heartland in a private jet while smoking fat cigars, liberals like Obama are “trying to socialize profit so that [they] can claim it”—anathema to wealthy Republicans, who prefer to socialize risk by way of bailouts while keeping the profits for themselves. Limbaugh fans will certainly eat this up, though a segment of the Republican caucus in Congress (Marjorie Taylor Greene et al.) might want to read past Limbaugh’s repeated insistence that “peace can’t be achieved by ‘developing an understanding’ with the Russian people.”
Strictly for dittoheads.Pub Date: Oct. 25, 2022
ISBN: 9781668001844
Page Count: 512
Publisher: Threshold Editions/Simon & Schuster
Review Posted Online: Oct. 23, 2022
Kirkus Reviews Issue: Dec. 1, 2022
BOOK REVIEW
BOOK REVIEW
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