Readers may not look at their classmates the same again.
Two opposites may not be as opposite as they imagined in Mann’s look at grade school cliques and oddballs.
Ginger wants to invite all the girls in her class but Lyla Browning to her birthday party. Lyla wears drab clothes and glasses, and her affection for insects (not to mention pet tarantula) is certainly unpopular among Ginger’s crowd of friends. But Ginger’s mom says it’s all or none, so Lyla’s invited too. But Ginger’s friends turn out not to be the best party guests, doing whatever they want and ruining the games. At this point, Lyla is just part of the background with her ever-present magnifying glass. But that changes when she is the only one to appreciate the much-anticipated “silver-and-gold cake.” And Lyla’s present turns out to be the most thoughtful of all—a handmade bird’s nest with two speckled malted-milk eggs in the center (two peas in a pod, anyone?)—and the start of a lasting friendship. Mann’s pencil, gouache and digital collage illustrations keep the focus on the girls, their bright clothes and accessories standing out against the white background. The placement of characters in page composition plays a large part in getting Mann’s message across, girls either center stage or relegated to the background (if they’re even on the page at all!).
Readers may not look at their classmates the same again. (Picture book. 5-8)Pub Date: April 1, 2014
ISBN: 978-0-7636-6168-7
Page Count: 32
Publisher: Candlewick
Review Posted Online: Feb. 4, 2014
Kirkus Reviews Issue: Feb. 15, 2014
Only for dedicated fans of the series.
When a kid gets the part of the ninja master in the school play, it finally seems to be the right time to tackle the closet monster.
“I spot my monster right away. / He’s practicing his ROAR. / He almost scares me half to death, / but I won’t be scared anymore!” The monster is a large, fluffy poison-green beast with blue hands and feet and face and a fluffy blue-and-green–striped tail. The kid employs a “bag of tricks” to try to catch the monster: in it are a giant wind-up shark, two cans of silly string, and an elaborate cage-and-robot trap. This last works, but with an unexpected result: the monster looks sad. Turns out he was only scaring the boy to wake him up so they could be friends. The monster greets the boy in the usual monster way: he “rips a massive FART!!” that smells like strawberries and lime, and then they go to the monster’s house to meet his parents and play. The final two spreads show the duo getting ready for bed, which is a rather anticlimactic end to what has otherwise been a rambunctious tale. Elkerton’s bright illustrations have a TV-cartoon aesthetic, and his playful beast is never scary. The narrator is depicted with black eyes and hair and pale skin. Wallace’s limping verses are uninspired at best, and the scansion and meter are frequently off.
Only for dedicated fans of the series. (Picture book. 5-8)Pub Date: Sept. 1, 2017
ISBN: 978-1-4926-4894-9
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: July 14, 2017
Kirkus Reviews Issue: Aug. 1, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted...
Reinvention is the name of the game for two blobs of clay.
A blue-eyed gray blob and a brown-eyed brown blob sit side by side, unsure as to what’s going to happen next. The gray anticipates an adventure, while the brown appears apprehensive. A pair of hands descends, and soon, amid a flurry of squishing and prodding and poking and sculpting, a handsome gray wolf and a stately brown owl emerge. The hands disappear, leaving the friends to their own devices. The owl is pleased, but the wolf convinces it that the best is yet to come. An ear pulled here and an extra eye placed there, and before you can shake a carving stick, a spurt of frenetic self-exploration—expressed as a tangled black scribble—reveals a succession of smug hybrid beasts. After all, the opportunity to become a “pig-e-phant” doesn’t come around every day. But the sound of approaching footsteps panics the pair of Picassos. How are they going to “fix [them]selves” on time? Soon a hippopotamus and peacock are staring bug-eyed at a returning pair of astonished hands. The creative naiveté of the “clay mates” is perfectly captured by Petty’s feisty, spot-on dialogue: “This was your idea…and it was a BAD one.” Eldridge’s endearing sculpted images are photographed against the stark white background of an artist’s work table to great effect.
The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted fun of their own . (Picture book. 5-8)Pub Date: June 20, 2017
ISBN: 978-0-316-30311-8
Page Count: 40
Publisher: Little, Brown
Review Posted Online: March 28, 2017
Kirkus Reviews Issue: April 15, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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