Readers of this multifaceted, well-crafted tale will eagerly await Sage’s further adventures.
A brazen 15-year-old orphan living in the imaginary kingdom of Carthya becomes embroiled in a treasonous power-play to install a false prince on the vacant throne.
For years, Sage has survived by lying and stealing in Mrs. Turbeldy’s Orphanage for Disadvantaged Boys. When scheming Bevin Connor removes him, Sage assumes he will serve Connor, but he quickly discovers he’s one of four orphan boys chosen by Connor for a more dangerous game. Connor plans to secretly transform them into gentlemen and select one to impersonate Prince Jaron, who is missing and presumed dead. Carthya’s current king, queen and crown prince have been murdered, and war could erupt at any moment. When the regents meet in two weeks, Connor plans to produce long-lost "Prince Jaron," who will rule as his pawn. Competition becomes fierce as the boys realize the one chosen to play Jaron will be the only survivor. Sage’s disdain, defiance and reckless arrogance mark him for failure, but his boldness, instinct and innate decency indicate there’s more than meets the eye. Could Sage become Prince Jaron? Sage reveals his story in the first person in slowly unfolding layers guaranteed to shock. Ruthless ambition, fierce action and plotting, complex characters and lots of sword play and hidden passages keep pages flipping.
Readers of this multifaceted, well-crafted tale will eagerly await Sage’s further adventures. (map) (Adventure. 8-14)Pub Date: April 1, 2012
ISBN: 978-0-545-28413-4
Page Count: 352
Publisher: Scholastic
Review Posted Online: Feb. 4, 2012
Kirkus Reviews Issue: Feb. 15, 2012
A trilogy opener both rich and strange, if heavy at the front end.
Riggs spins a gothic tale of strangely gifted children and the monsters that pursue them from a set of eerie, old trick photographs.
The brutal murder of his grandfather and a glimpse of a man with a mouth full of tentacles prompts months of nightmares and psychotherapy for 15-year-old Jacob, followed by a visit to a remote Welsh island where, his grandfather had always claimed, there lived children who could fly, lift boulders and display like weird abilities. The stories turn out to be true—but Jacob discovers that he has unwittingly exposed the sheltered “peculiar spirits” (of which he turns out to be one) and their werefalcon protector to a murderous hollowgast and its shape-changing servant wight. The interspersed photographs—gathered at flea markets and from collectors—nearly all seem to have been created in the late 19th or early 20th centuries and generally feature stone-faced figures, mostly children, in inscrutable costumes and situations. They are seen floating in the air, posing with a disreputable-looking Santa, covered in bees, dressed in rags and kneeling on a bomb, among other surreal images. Though Jacob’s overdeveloped back story gives the tale a slow start, the pictures add an eldritch element from the early going, and along with creepy bad guys, the author tucks in suspenseful chases and splashes of gore as he goes. He also whirls a major storm, flying bullets and a time loop into a wild climax that leaves Jacob poised for the sequel.
A trilogy opener both rich and strange, if heavy at the front end. (Horror/fantasy. 12-14)Pub Date: June 7, 2011
ISBN: 978-1-59474-476-1
Page Count: 234
Publisher: Quirk Books
Review Posted Online: March 30, 2014
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SEEN & HEARD
Characteristically provocative gothic comedy, with sublime undertones.
An exhilarating summer marked by death, gore and fire sparks deep thoughts in a small-town lad not uncoincidentally named “Jack Gantos.”
The gore is all Jack’s, which to his continuing embarrassment “would spray out of my nose holes like dragon flames” whenever anything exciting or upsetting happens. And that would be on every other page, seemingly, as even though Jack’s feuding parents unite to ground him for the summer after several mishaps, he does get out. He mixes with the undertaker’s daughter, a band of Hell’s Angels out to exact fiery revenge for a member flattened in town by a truck and, especially, with arthritic neighbor Miss Volker, for whom he furnishes the “hired hands” that transcribe what becomes a series of impassioned obituaries for the local paper as elderly town residents suddenly begin passing on in rapid succession. Eventually the unusual body count draws the—justified, as it turns out—attention of the police. Ultimately, the obits and the many Landmark Books that Jack reads (this is 1962) in his hours of confinement all combine in his head to broaden his perspective about both history in general and the slow decline his own town is experiencing.
Characteristically provocative gothic comedy, with sublime undertones. (Autobiographical fiction. 11-13)Pub Date: Sept. 13, 2011
ISBN: 978-0-374-37993-3
Page Count: 352
Publisher: Farrar, Straus and Giroux
Review Posted Online: April 5, 2011
Kirkus Reviews Issue: Aug. 15, 2011
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