With savvy restraint, Goldfinger presents the magic of just watching three children raptly engaged in play.

HELLO, MY NAME IS TIGER

A kid who stands out for dressing as a tiger finds he's not as alone as he thought in a gentle story about making new friends.

Toby, a young boy, "liked being a cat more than a boy." Around the house, he plays the part of a frisky cat in a full-body tiger costume. At school, the imaginative play continues as he pounces on leaves, scratches in a sandbox (which, luckily, readers don't see employed as a litter box), and climbs a tree. There, he runs into trouble, remembering that cats can't climb back down. Pete, a young boy in the tree dressed as a monkey, helps out. After Toby and Pete become fast friends, they help a girl named Dottie dress up and join in as a bird named Polly. Author/illustrator Goldfinger's colored-in crayon scenes burst with energy and warmth, and she gets a lot of mileage with expressions that are little more than two dots for eyes and simple, soft lines for faces. (Among their diverse class, Toby, Pete, and Dottie all have light skin.) The costumes look cozy and textured against expansive white backgrounds in compositions that are more sophisticated in the emotional, joyful moments they convey than the sketchy style would at first suggest.

With savvy restraint, Goldfinger presents the magic of just watching three children raptly engaged in play. (Picture book. 4-8)

Pub Date: July 12, 2016

ISBN: 978-0-06-239951-9

Page Count: 40

Publisher: Harper/HarperCollins

Review Posted Online: June 1, 2016

Kirkus Reviews Issue: June 15, 2016

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While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

ON THE FIRST DAY OF KINDERGARTEN

Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 4, 2016

Kirkus Reviews Issue: June 1, 2016

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A solid if message-driven conversation starter about the hard parts of learning.

THE MAGICAL YET

Children realize their dreams one step at a time in this story about growth mindset.

A child crashes and damages a new bicycle on a dark, rainy day. Attempting a wheelie, the novice cyclist falls onto the sidewalk, grimacing, and, having internalized this setback as failure, vows to never ride again but to “walk…forever.” Then the unnamed protagonist happens upon a glowing orb in the forest, a “thought rearranger-er”—a luminous pink fairy called the Magical Yet. This Yet reminds the child of past accomplishments and encourages perseverance. The second-person rhyming couplets remind readers that mistakes are part of learning and that with patience and effort, children can achieve. Readers see the protagonist learn to ride the bike before a flash-forward shows the child as a capable college graduate confidently designing a sleek new bike. This book shines with diversity: racial, ethnic, ability, and gender. The gender-indeterminate protagonist has light brown skin and exuberant curly locks; Amid the bustling secondary cast, one child uses a prosthesis, and another wears hijab. At no point in the text is the Yet defined as a metaphor for a growth mindset; adults reading with younger children will likely need to clarify this abstract lesson. The artwork is powerful and detailed—pay special attention to the endpapers that progress to show the Yet at work.

A solid if message-driven conversation starter about the hard parts of learning. (Picture book. 4-8)

Pub Date: April 14, 2020

ISBN: 978-1-368-02562-1

Page Count: 40

Publisher: Disney-Hyperion/LBYR

Review Posted Online: Dec. 8, 2019

Kirkus Reviews Issue: Jan. 1, 2020

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