A thoughtful and moving exploration of homelessness.
There is no safety net for Ari.
Or if there is one, it’s full of holes. Her parents are both dead, and a friend of her mother, Janna, has been guardian to Ari and her older brother, Gage, for the past few years. But 19-year-old Gage and Janna have never gotten along well. Gage lies to Janna about having a place of his own and moves out with 11-year-old Ari. As she struggles to keep up with her classes—her hopes of attending a school for the gifted next year rest on this unlikely feat—they move from place to place: friends’ and acquaintances’ homes, homeless shelters and even a car. Ari’s plight vividly illustrates the myriad consequences of homelessness, and the adults around her who should be picking up on the numerous clues to her situation seem oblivious. Her perceptive first-person voice neatly captures her conflicted loyalty to Gage but also to Janna, as well as her valiant attempts to make an impossible situation work out. Small acts of kindness help the pair get by. It’s Ari’s poignantly depicted play with her “Paper Things,” a treasured pseudo-family of cut-out magazine people, that conveys most effectively her loss and hope. If the resolution is too easy, it is also satisfying, the journey enlightening.
A thoughtful and moving exploration of homelessness. (Fiction. 10-14)Pub Date: Feb. 10, 2015
ISBN: 978-0-7636-6323-0
Page Count: 384
Publisher: Candlewick
Review Posted Online: Nov. 10, 2014
Kirkus Reviews Issue: Dec. 1, 2014
Poignant, respectful, and historically accurate while pulsating with emotional turmoil, adventure, and suspense.
In the midst of political turmoil, how do you escape the only country that you’ve ever known and navigate a new life? Parallel stories of three different middle school–aged refugees—Josef from Nazi Germany in 1938, Isabel from 1994 Cuba, and Mahmoud from 2015 Aleppo—eventually intertwine for maximum impact.
Three countries, three time periods, three brave protagonists. Yet these three refugee odysseys have so much in common. Each traverses a landscape ruled by a dictator and must balance freedom, family, and responsibility. Each initially leaves by boat, struggles between visibility and invisibility, copes with repeated obstacles and heart-wrenching loss, and gains resilience in the process. Each third-person narrative offers an accessible look at migration under duress, in which the behavior of familiar adults changes unpredictably, strangers exploit the vulnerabilities of transients, and circumstances seem driven by random luck. Mahmoud eventually concludes that visibility is best: “See us….Hear us. Help us.” With this book, Gratz accomplishes a feat that is nothing short of brilliant, offering a skillfully wrought narrative laced with global and intergenerational reverberations that signal hope for the future. Excellent for older middle grade and above in classrooms, book groups, and/or communities looking to increase empathy for new and existing arrivals from afar.
Poignant, respectful, and historically accurate while pulsating with emotional turmoil, adventure, and suspense. (maps, author’s note) (Historical fiction. 10-14)Pub Date: July 25, 2017
ISBN: 978-0-545-88083-1
Page Count: 352
Publisher: Scholastic
Review Posted Online: May 9, 2017
Kirkus Reviews Issue: June 1, 2017
PROFILES
A coming-of-age story as tender and sweet as a summer evening breeze
Summer adventures begin when Bina accidentally locks herself out of her house in Larson’s newest middle-grade graphic novel.
The summer before eighth grade is a season of self-discovery for many 13-year-olds, including Bina, when her best friend heads off to soccer camp and leaves her alone to navigate a SoCal summer. Without athletic Austin around to steer the ship, Bina must pursue her own passions, such as discovering new bands and rocking out on her electric guitar. Unexpected friendships bloom, and new members are welcomed into her family. Though her sphere grows over the summer, friendship with Austin is strained when he returns, and Bina must learn to embrace the proverb to make new friends but keep the old. As her mother wisely observes, “you’re more you every day,” and by the end of summer Bina is more comfortable in her own skin and ready to rock eighth grade. Larson’s panels are superb at revealing emotional conflict, subtext, and humor within the deceptively simple third-person limited plot, allowing characters to grow and develop emotionally over only a few spreads. She also does a laudable job of depicting a diverse community for Bina to call home. Though Bina’s ethnicity is never overtly identified, her racial ambiguity lends greater universality to her story. (In the two-toned apricot, black, and white panels, Bina and her mother have the same black hair and gold skin, while her dad is white, as is Austin.)
A coming-of-age story as tender and sweet as a summer evening breeze . (Graphic fiction. 10-14)Pub Date: May 1, 2018
ISBN: 978-0-374-30485-0
Page Count: 176
Publisher: Farrar, Straus and Giroux
Review Posted Online: March 3, 2018
Kirkus Reviews Issue: March 15, 2018
PROFILES
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