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YOSSI AND THE MONKEYS

A SHAVUOT STORY

An entertaining holiday tale of a man and his monkey.

A circus monkey helps a family celebrate a Jewish holiday.

Yossi, a good husband and father, is too poor to provide for his family for the Jewish holiday of Shavuot. Shavuot, which commemorates God’s gift of the Torah to the Jews, is celebrated in May or June, seven weeks after Passover. (Its Hebrew meaning is “weeks.”) In order to make money, Yossi’s wife suggests that he sell some of her hand-made kippahs—the skullcaps worn by observant Jewish men (also called yarmulkes). His salesmanship efforts are unsuccessful, and so he takes a nap under a tree in which a curious monkey sits. All good readers of Caps for Sale will know what follows. This is a good monkey, though, and when passers-by offer Yossi both money for the kippahs and extra for the monkey’s antics, the monkey hands them over. Man and monkey become friends, with Yossi selling more of his wife’s handiwork and Zelig (“blessing” in Hebrew) the monkey entertaining the crowds. Yossi, his family, and Zelig celebrate with challah and cheese blintzes (dairy foods are a holiday tradition), and Zelig joins the family—though he temporarily rejoins the circus from which he escaped every year when it comes to town. Waisman’s comically busy illustrations set the story in an all-white Eastern European village of long ago.

An entertaining holiday tale of a man and his monkey. (author’s note) (Picture book. 3-6)

Pub Date: March 1, 2017

ISBN: 978-1-4677-8932-5

Page Count: 32

Publisher: Kar-Ben

Review Posted Online: Jan. 31, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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THE WILD ROBOT ON THE ISLAND

A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.

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What happens when a robot washes up alone on an island?

“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.

A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)

Pub Date: June 24, 2025

ISBN: 9780316669467

Page Count: 48

Publisher: Little, Brown

Review Posted Online: March 22, 2025

Kirkus Reviews Issue: April 15, 2025

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THE RUNAWAY PIGGY / EL COCHINITO FUGITIVO

The runaway cookie in this Mexican bakery is a soft, brown, stubby-tailed piglet as impertinently bold and smug in his continual escape as his Gingerbread Boy cousin. “Chase me! Chase me down the street. But this is one piggy you won’t get to eat! / ¡Córrele, córrele! ¡Y Córrele más! ¡Soy el cochinito que jamás comerás!” This bouncy dual refrain extends the familiar cumulative text, rendered in both English and Spanish, as piggy manages to elude Marta the baker, Lorenzo the mechanic, Mamá Nita the beautician, Joaquín the telephone repairman and a host of other neighborhood adults—until he is outsmarted by Rosa, a little girl on her way to school, who foxily “helps him” cross the street. Safely tucked into her backpack, piggy is both a welcome surprise and an excuse for Rosa’s lateness to class. Deep opaque acrylic paintings of a colorful barrio and its residents in pursuit add the right amount of cultural flavor to this vivid Latino retelling. Recipe appended. (Picture book. 3-6)

Pub Date: Nov. 30, 2010

ISBN: 978-1-55885-586-1

Page Count: 32

Publisher: Piñata Books/Arte Público

Review Posted Online: Sept. 24, 2010

Kirkus Reviews Issue: Oct. 15, 2010

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