So much material recycled from earlier novels (Certain Girls, 2008, etc.) that even fans will feel déjà vu.
Weiner proves yet again that women can be their own worst enemies—and shows that women’s worst enemies can also be their best friends.
Addie Downs can’t catch a break. Fat and friendless as a child, she enjoys a few years’ respite from isolation when awkward, neglected Valerie Adler moves in across the street in the Chicago suburb of Pleasant Ridge. Val doesn’t care that Addie’s mom is obese, or that her father doesn’t have a real job; she’s entranced by the idea of hot meals (Naomi Adler’s idea of dinner is Tab and Wheat Thins, topped off with a Salem Light), clean clothes and a regular bedtime. When Val returns with braces and breasts from a summer visiting her father in California, Addie knows the end is near, although she’d never guess how deep Val’s betrayal will be. Alone again, Addie leaves for college only to have her father die before she’s unpacked. Then Mom is diagnosed with breast cancer, and Addie watches her monstrous body wither to a horrifying death. Orphaned at 20, Addie lives alone in her parents’ home, painting watercolors for a greeting-card company. And eating. When she tops 300 pounds, she finally says, “Enough!” and starts a diet and exercise regimen that brings her down to normal proportions. She buys nice clothes, redecorates her house and even has an abortive fling with a married man she meets at the gym. Just as she’s starting to feel normal, Hurricane Val bears down on her. Now a TV weathergirl at a local Chicago station, Val, unlike Addie, can’t resist going to their high-school reunion, where she does something very bad, attracting the attention of Pleasant Ridge’s lonely, needy police chief Jordan Novick. Now Val needs Addie’s help, and though Addie knows she’s being played, she can’t resist her BFF, whose harebrained, selfish, irresponsible behavior leads Addie to unexpected joy.
So much material recycled from earlier novels (Certain Girls, 2008, etc.) that even fans will feel déjà vu.Pub Date: July 14, 2009
ISBN: 978-0-7432-9429-4
Page Count: 384
Publisher: Atria
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: July 1, 2009
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Hilderbrand’s portrait of the upper-crust Tate clan through the years is so deliciously addictive that it will be the “It”...
Queen of the summer novel—how could she not be, with all her stories set on an island—Hilderbrand delivers a beguiling ninth (The Castaways, 2009, etc.), featuring romance and mystery on isolated Tuckernuck Island.
The Tate family has had a house on Tuckernuck (just off the coast of swanky Nantucket) for generations. It has been empty for years, but now Birdie wants to spend a quiet mother-daughter week there with Chess before Chess’s wedding to Michael Morgan. Then the unthinkable happens—perfect Chess (beautiful, rich, well-bred food editor of Glamorous Home) dumps the equally perfect Michael. She quits her job, leaves her New York apartment for Birdie’s home in New Canaan, and all without explanation. Then the unraveling continues: Michael dies in a rock-climbing accident, leaving Chess not quite a widow, but devastated, guilty, unreachable in the shell of herself. Birdie invites her younger daughter Tate (a pretty, naïve computer genius) and her own bohemian sister India, whose husband, world-renowned sculptor Bill Bishop, killed himself years ago, to Tuckernuck for the month of July, in the hopes that the three of them can break through to Chess. Hunky Barrett Lee is their caretaker, coming from Nantucket twice a day to bring groceries and take away laundry (idyllic Tuckernuck is remote—no phone, no hot water, no ferry) as he’s also inspiring renewed lust in Tate, who has had a crush on him since she was a kid. The author jumps between the four women—Tate and her blossoming relationship with Barrett, India and her relationship with Lula Simpson, a painter at the Academy where India is a curator, Birdie, who is surprised by the recent kindnesses of ex-husband Grant, and finally Chess, who in her journal is uncoiling the sordid, sad circumstances of her break with normal life and Michael’s death.
Hilderbrand’s portrait of the upper-crust Tate clan through the years is so deliciously addictive that it will be the “It” beach book of the summer.Pub Date: July 6, 2010
ISBN: 978-0-316-04387-8
Page Count: 416
Publisher: Reagan Arthur/Little, Brown
Review Posted Online: June 3, 2010
Kirkus Reviews Issue: May 15, 2010
The previous books of this author (Devil of a State, 1962; The Right to an Answer, 1961) had valid points of satire, some humor, and a contemporary view, but here the picture is all out—from a time in the future to an argot that makes such demands on the reader that no one could care less after the first two pages.
If anyone geta beyond that—this is the first person story of Alex, a teen-age hoodlum, who, in step with his times, viddies himself and the world around him without a care for law, decency, honesty; whose autobiographical language has droogies to follow his orders, wallow in his hate and murder moods, accents the vonof human hole products. Betrayed by his dictatorial demands by a policing of his violence, he is committed when an old lady dies after an attack; he kills again in prison; he submits to a new method that will destroy his criminal impulses; blameless, he is returned to a world that visits immediate retribution on him; he is, when an accidental propulsion to death does not destroy him, foisted upon society once more in his original state of sin.
What happens to Alex is terrible but it is worse for the reader.
Pub Date: Jan. 8, 1962
ISBN: 0393928098
Page Count: 357
Publisher: Norton
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: Jan. 1, 1962
SEEN & HEARD
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