A lexical story of emotional evolution.
A standoffish human thesaurus learns lessons beyond his hallowed knowledge of words.
Following his widowed mother’s stroke, bookish seventh grader William “Worser” Orser is obligated to endure his artistic, emotional aunt as caretaker for them both. If life at home before was sensibly beige, now it’s obnoxiously purple. His one haven is the school library, where he avoids people and develops his Masterwork, an over-300-page lexicon (he is truly the child of professors). When the library hours are restricted by budget cuts, he relocates to a secondhand bookshop. Happily, his new refuge allows him to help his crush, Donya Khoury, who is desperate for a literary club meeting space. Joining the club by default, Worser feels needed and appreciated and avoids having to see his aunt, her dreadful cats, and (guiltily) his mother’s severely altered state. But nothing is forever. He must face change and learn that etymological accuracy isn’t directly proportionate to compassionate communication. Worser is abrupt and precise with his words, but this wonderfully layered story unfolds its many facets gently: finding refuge, garnering peer appreciation, questioning the way things were, and facing the toll of untreated trauma. Worser reads as White; Donya is presumably of Middle Eastern heritage, and the literary club seamlessly includes racial diversity and queer representation. The author has developed her main character so well it’s hard to believe it’s not biography—but it can certainly pass as the most entertaining New York Times crossword artillery you’ll ever read.
A lexical story of emotional evolution. (Fiction. 9-12)Pub Date: March 15, 2022
ISBN: 978-0-8234-4956-9
Page Count: 256
Publisher: Margaret Ferguson/Holiday House
Review Posted Online: Dec. 23, 2021
Kirkus Reviews Issue: Jan. 15, 2022
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
However the compelling fitness of theme and event and the apt but unexpected imagery (the opening sentences compare the...
At a time when death has become an acceptable, even voguish subject in children's fiction, Natalie Babbitt comes through with a stylistic gem about living forever.
Protected Winnie, the ten-year-old heroine, is not immortal, but when she comes upon young Jesse Tuck drinking from a secret spring in her parents' woods, she finds herself involved with a family who, having innocently drunk the same water some 87 years earlier, haven't aged a moment since. Though the mood is delicate, there is no lack of action, with the Tucks (previously suspected of witchcraft) now pursued for kidnapping Winnie; Mae Tuck, the middle aged mother, striking and killing a stranger who is onto their secret and would sell the water; and Winnie taking Mae's place in prison so that the Tucks can get away before she is hanged from the neck until....? Though Babbitt makes the family a sad one, most of their reasons for discontent are circumstantial and there isn't a great deal of wisdom to be gleaned from their fate or Winnie's decision not to share it.
Pub Date: Nov. 1, 1975
ISBN: 0312369816
Page Count: 164
Publisher: Farrar, Straus and Giroux
Review Posted Online: April 13, 2012
Kirkus Reviews Issue: Nov. 1, 1975
SEEN & HEARD
Falters in its oversimplified portrayal of a complicated region and people.
Parallel storylines take readers through the lives of two young people on Sept. 11 in 2001 and 2019.
In the contemporary timeline, Reshmina is an Afghan girl living in foothills near the Pakistan border that are a battleground between the Taliban and U.S. armed forces. She is keen to improve her English while her twin brother, Pasoon, is inspired by the Taliban and wants to avenge their older sister, killed by an American bomb on her wedding day. Reshmina helps a wounded American soldier, making her village a Taliban target. In 2001, Brandon Chavez is spending the day with his father, who works at the World Trade Center’s Windows on the World restaurant. Brandon is heading to the underground mall when a plane piloted by al-Qaida hits the tower, and his father is among those killed. The two storylines develop in parallel through alternating chapters. Gratz’s deeply moving writing paints vivid images of the loss and fear of those who lived through the trauma of 9/11. However, this nuance doesn’t extend to the Afghan characters; Reshmina and Pasoon feel one-dimensional. Descriptions of the Taliban’s Afghan victims and Reshmina's gentle father notwithstanding, references to all young men eventually joining the Taliban and Pasoon's zeal for their cause counteract this messaging. Explanations for the U.S. military invasion of Afghanistan in the author’s note and in characters’ conversations too simplistically present the U.S. presence.
Falters in its oversimplified portrayal of a complicated region and people. (author’s note) (Fiction. 9-12)Pub Date: Feb. 2, 2021
ISBN: 978-1-338-24575-2
Page Count: 336
Publisher: Scholastic
Review Posted Online: Dec. 14, 2020
Kirkus Reviews Issue: Jan. 1, 2021
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