PEACOCK

AND OTHER POEMS

Readers who cherish All the Small Poems, and Fourteen More (1994) will welcome this posthumous gathering of 26 more, all but three previously unpublished. In free verse lines seldom longer than three or four words, Worth writes, mostly, about common things: a pencil, a panda, an old dog, blue jeans “slowly / Ripening into / A friendliness, / A homely / Familiar / skin.” Fond of metaphor she may be, but her imagery is as easy to comprehend as her simple language, her uncomplicated personal reactions, and such observations as, in the wry title poem, the fact that the peacock may be grand, but “his freckled / Brown wife / Rambles around / Him, plain, / And free.” Babbitt’s small, exactly detailed vignettes seem to float alongside these concise, child-friendly, often (seemingly) artless poems, reinforcing their gnomic elegance. (Poetry. 7-10)

Pub Date: March 19, 2002

ISBN: 0-374-35766-8

Page Count: 48

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: March 1, 2002

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Here’s hoping this will inspire many children to joyfully engage in writing.

WRITE! WRITE! WRITE!

Both technique and imaginative impulse can be found in this useful selection of poems about the literary art.

Starting with the essentials of the English language, the letters of “Our Alphabet,” the collection moves through 21 other poems of different types, meters, and rhyme schemes. This anthology has clear classroom applications, but it will also be enjoyed by individual readers who can pore carefully over playful illustrations filled with diverse children, butterflies, flowers, books, and pieces of writing. Tackling various parts of the writing process, from “How To Begin” through “Revision Is” to “Final Edit,” the poems also touch on some reasons for writing, like “Thank You Notes” and “Writing About Reading.” Some of the poems are funny, as in the quirky, four-line “If I Were an Octopus”: “I’d grab eight pencils. / All identical. / I’d fill eight notebooks. / One per tentacle.” An amusing undersea scene dominated by a smiling, orangy octopus fills this double-page spread. Some of the poems are more focused (and less lyrical) than others, such as “Final Edit” with its ending stanzas: “I check once more to guarantee / all is flawless as can be. / Careless errors will discredit / my hard work. / That’s why I edit. / But I don’t like it. / There I said it.” At least the poet tries for a little humor in those final lines.

Here’s hoping this will inspire many children to joyfully engage in writing. (Picture book/poetry. 7-10)

Pub Date: March 17, 2020

ISBN: 978-1-68437-362-8

Page Count: 32

Publisher: Wordsong/Boyds Mills

Review Posted Online: Dec. 18, 2019

Kirkus Reviews Issue: March 1, 2020

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  • SPONSORED PLACEMENT

The rare immigrant chronicle that is as long on hope as it is on heartbreak.

INFINITE COUNTRY

A 15-year-old girl in Colombia, doing time in a remote detention center, orchestrates a jail break and tries to get home.

"People say drugs and alcohol are the greatest and most persuasive narcotics—the elements most likely to ruin a life. They're wrong. It's love." As the U.S. recovers from the repeal of the Deferred Action for Childhood Arrivals program, from the misery of separations on the border, from both the idea and the reality of a wall around the United States, Engel's vital story of a divided Colombian family is a book we need to read. Weaving Andean myth and natural symbolism into her narrative—condors signify mating for life, jaguars revenge; the embattled Colombians are "a singed species of birds without feathers who can still fly"; children born in one country and raised in another are "repotted flowers, creatures forced to live in the wrong habitat"—she follows Talia, the youngest child, on a complex journey. Having committed a violent crime not long before she was scheduled to leave her father in Bogotá to join her mother and siblings in New Jersey, she winds up in a horrible Catholic juvie from which she must escape in order to make her plane. Hence the book's wonderful first sentence: "It was her idea to tie up the nun." Talia's cross-country journey is interwoven with the story of her parents' early romance, their migration to the United States, her father's deportation, her grandmother's death, the struggle to reunite. In the latter third of the book, surprising narrative shifts are made to include the voices of Talia's siblings, raised in the U.S. This provides interesting new perspectives, but it is a little awkward to break the fourth wall so late in the book. Attention, TV and movie people: This story is made for the screen.

The rare immigrant chronicle that is as long on hope as it is on heartbreak.

Pub Date: March 2, 2021

ISBN: 978-1-982159-46-7

Page Count: 208

Publisher: Avid Reader Press

Review Posted Online: Dec. 15, 2020

Kirkus Reviews Issue: Jan. 1, 2021

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FOOTPRINTS ON THE ROOF

POEMS ABOUT THE EARTH

Nineteen poems, some rhymed, are paired with So’s (Countdown to Spring, p. 50, etc.) ink drawings. The poems are sometimes dry and sometimes didactic, but most are straightforward and occasionally giddy. So’s art is by turns whimsical, wild, or reticent. The title comes from “Burrows” a poem about the creatures that live under the “roof” of the earth: rabbits, foxes, snakes. The image of a dragon under the volcano in “Dormant Dragons” is beautifully realized as So turns wash and squiggle into the beast. “Winter Solstice” connects a wintry day in America with the first day of summer in Australia most charmingly. In “Go-Betweens”: “They issue warnings / They offer praise / This is trees’ work / and they do it with such uncomplaining grace / it never seems like work at all.” A swath of soft ink and a perfectly rendered rose reflect the turning of the year in “Summer Solstice”—“The richest garden / the greenest trees / will have a different form / wearing withered leaves like memories / of days when it was warm.” Esbensen’s venerable Cold Stars and Fireflies (1984) makes a nice accompaniment. (Poetry. 7-10)

Pub Date: Feb. 1, 2001

ISBN: 0-375-81094-3

Page Count: 48

Publisher: Knopf

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Jan. 15, 2002

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