Grandmas who believe in the Jenny Craig weight-loss program are the only possible market for this book.

I BELIEVE IN GENEVIEVE

Weight-loss guru Craig offers lifestyle advice for children wrapped up in a sugary junk-food version of a pony story. 

Young Genevieve (who goes by Jenny) wants to swap work at a nearby stable for a chance to attend a summer riding camp. The owner accepts and offers her the use of an old horse she names Candy Ride. They both love sugared snacks, but the goodies make her and her horse feel awful, while exercise and healthy eating transform them into horse-show champions. Although the introduction features a photograph of a racehorse Craig once owned, she cuts a lot of literary corners in her representation of basic horse care—the idea that a child could alter a lesson horse’s feeding plan is preposterous, as is the idea that the horses wouldn’t have been appropriately fed already by the stable owner. As for the likelihood of a girl who isn’t strong enough to ride lifting hay bales as a workout? Those bales weigh between 40 and 70 pounds each. Edelson’s colorful watercolor illustrations likewise play fast and loose with horse anatomy and tack—some is completely impossible—and, aside from one vaguely well-tanned girl, feature only white girls as riders.

Grandmas who believe in the Jenny Craig weight-loss program are the only possible market for this book. (Picture book. 5-8)

Pub Date: Sept. 23, 2013

ISBN: 978-1-62157-085-1

Page Count: 40

Publisher: Regnery

Review Posted Online: June 26, 2013

Kirkus Reviews Issue: July 15, 2013

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Formulaic but not stale…even if it does mine previous topical material rather than expand it.

HOW DO DINOSAURS SHOW GOOD MANNERS?

From the How Do Dinosaurs…? series

A guide to better behavior—at home, on the playground, in class, and in the library.

Serving as a sort of overview for the series’ 12 previous exercises in behavior modeling, this latest outing opens with a set of badly behaving dinos, identified in an endpaper key and also inconspicuously in situ. Per series formula, these are paired to leading questions like “Does she spit out her broccoli onto the floor? / Does he shout ‘I hate meat loaf!’ while slamming the door?” (Choruses of “NO!” from young audiences are welcome.) Midway through, the tone changes (“No, dinosaurs don’t”), and good examples follow to the tune of positive declarative sentences: “They wipe up the tables and vacuum the floors. / They share all the books and they never slam doors,” etc. Teague’s customary, humongous prehistoric crew, all depicted in exact detail and with wildly flashy coloration, fill both their spreads and their human-scale scenes as their human parents—no same-sex couples but some are racially mixed, and in one the man’s the cook—join a similarly diverse set of sibs and other children in either disapprobation or approving smiles. All in all, it’s a well-tested mix of oblique and prescriptive approaches to proper behavior as well as a lighthearted way to play up the use of “please,” “thank you,” and even “I’ll help when you’re hurt.”

Formulaic but not stale…even if it does mine previous topical material rather than expand it. (Picture book. 6-8)

Pub Date: Oct. 20, 2020

ISBN: 978-1-338-36334-0

Page Count: 40

Publisher: Blue Sky/Scholastic

Review Posted Online: Aug. 18, 2020

Kirkus Reviews Issue: Sept. 1, 2020

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Precious—but timely and comforting all the same.

WHILE WE CAN'T HUG

From the Hedgehog and Tortoise Story series

The two creatures who fulfilled each other’s yearning for physical contact in The Hug (2019) find alternative ways to connect in a time of social distancing.

Blushing and smiling and looking every bit as sweet as they did in their original meet-cute, Hedgehog and Tortoise respond to Owl’s reassurance that “there are lots of ways to show someone you love them” by standing on opposing pages and sending signals, letters, dances, air kisses, and songs across the gutter. Demonstrating their mutual love and friendship, they regard each other fondly across the gap through sun and storm, finally gesturing air hugs beneath a rainbow of colors and stars. “They could not touch. / They could not hug. // But they both knew / that they were loved.” In line with the minimalist narrative and illustrations there is no mention of the enforced separation’s cause nor, aside from the titular conjunction, any hint of its possible duration. Still, its core affirmation is delivered in a simple, direct, unmistakable way, and if the thematic connection with the previous outing seems made to order for a marketing opportunity, it does address a widespread emotional need in young (and maybe not so young) audiences. (This book was reviewed digitally with 9.8-by-19.6-inch double-page spreads viewed at 78% of actual size.)

Precious—but timely and comforting all the same. (Picture book. 5-7)

Pub Date: Aug. 18, 2020

ISBN: 978-0-5713-6558-6

Page Count: 32

Publisher: Faber & Faber

Review Posted Online: June 30, 2020

Kirkus Reviews Issue: July 15, 2020

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