Regardless, readers will likely be so swept up in the romance they can read past any flaws.

TO ALL THE BOYS I'VE LOVED BEFORE

From the To All the Boys I've Loved Before series , Vol. 1

An ultimately compelling exploration of teenage growth and young love.

With her idolized sister Margot leaving for college, Lara Jean doesn’t feel ready for the coming changes: becoming more responsible for their younger sister, Kitty, helping their widowed father, or seeing Margot break up with Josh, the boy next door—whom Lara Jean secretly liked first. But there’s even greater upheaval to come, when Lara Jean’s five secret letters to the boys she’s loved are mailed to them by accident. Lara Jean runs when sweet, dependable Josh tries to talk to her about her letter. And when Peter Kavinsky gets his letter, it brings him back into Lara Jean’s life, all handsome, charming, layered and complicated. They start a fake relationship to help Lara Jean deal with Josh and Peter to get over his ex. But maybe Lara Jean and Peter will discover there’s something more between them as they learn about themselves and each other. It’s difficult to see this book as a love triangle—Josh is bland as oatmeal, and Peter is utterly charismatic. Meanwhile, readers may find that Lara Jean sometimes seems too naïve and rather young for 16—though in many ways, this makes her feel more realistic than many of the world-weary teens that populate the shelves.

Regardless, readers will likely be so swept up in the romance they can read past any flaws. (Fiction. 14-18)

Pub Date: April 2, 2014

ISBN: 978-1-4424-2670-2

Page Count: 368

Publisher: Simon & Schuster

Review Posted Online: Feb. 5, 2014

Kirkus Reviews Issue: Feb. 15, 2014

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Grimly plainly worked hard, but, as the title indicates, the result serves his own artistic vision more than Mary Shelley’s.

GRIS GRIMLY'S FRANKENSTEIN

A slightly abridged graphic version of the classic that will drive off all but the artist’s most inveterate fans.

Admirers of the original should be warned away by veteran horror artist Bernie Wrightson’s introductory comments about Grimly’s “wonderfully sly stylization” and the “twinkle” in his artistic eye. Most general readers will founder on the ensuing floods of tiny faux handwritten script that fill the opening 10 pages of stage-setting correspondence (other lengthy letters throughout are presented in similarly hard-to-read typefaces). The few who reach Victor Frankenstein’s narrative will find it—lightly pruned and, in places, translated into sequences of largely wordless panels—in blocks of varied length interspersed amid sheaves of cramped illustrations with, overall, a sickly, greenish-yellow cast. The latter feature spidery, often skeletal figures that barrel over rough landscapes in rococo, steampunk-style vehicles when not assuming melodramatic poses. Though the rarely seen monster is a properly hard-to-resolve jumble of massive rage and lank hair, Dr. Frankenstein looks like a decayed Lyle Lovett with high cheekbones and an errant, outsized quiff. His doomed bride, Elizabeth, sports a white lock à la Elsa Lanchester, and decorative grotesqueries range from arrangements of bones and skull-faced flowers to bunnies and clownish caricatures.

Grimly plainly worked hard, but, as the title indicates, the result serves his own artistic vision more than Mary Shelley’s. (Graphic classic. 14 & up)

Pub Date: Aug. 27, 2013

ISBN: 978-0-06-186297-7

Page Count: 208

Publisher: Balzer + Bray/HarperCollins

Review Posted Online: July 3, 2013

Kirkus Reviews Issue: July 15, 2013

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Black is building a complex mythology; now is a great time to tune in.

THE CRUEL PRINCE

From the Folk of the Air series , Vol. 1

Black is back with another dark tale of Faerie, this one set in Faerie and launching a new trilogy.

Jude—broken, rebuilt, fueled by anger and a sense of powerlessness—has never recovered from watching her adoptive Faerie father murder her parents. Human Jude (whose brown hair curls and whose skin color is never described) both hates and loves Madoc, whose murderous nature is true to his Faerie self and who in his way loves her. Brought up among the Gentry, Jude has never felt at ease, but after a decade, Faerie has become her home despite the constant peril. Black’s latest looks at nature and nurture and spins a tale of court intrigue, bloodshed, and a truly messed-up relationship that might be the saving of Jude and the titular prince, who, like Jude, has been shaped by the cruelties of others. Fierce and observant Jude is utterly unaware of the currents that swirl around her. She fights, plots, even murders enemies, but she must also navigate her relationship with her complex family (human, Faerie, and mixed). This is a heady blend of Faerie lore, high fantasy, and high school drama, dripping with description that brings the dangerous but tempting world of Faerie to life.

Black is building a complex mythology; now is a great time to tune in. (Fantasy. 14-adult)

Pub Date: Jan. 2, 2018

ISBN: 978-0-316-31027-7

Page Count: 384

Publisher: Little, Brown

Review Posted Online: Sept. 26, 2017

Kirkus Reviews Issue: Oct. 15, 2017

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