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EVERYONE LOVES LUNCHTIME BUT ZIA

A delicious take on a familiar trope.

Zia loves her family’s Cantonese dishes at home, but school is a different story.

When her classmates make fun of the sweet, sour, crispy, and slippery lunches Zia brings from home, she asks her parents to pack her sandwiches instead. But they suggest a special menu for the week, where each lunch will have a special meaning and cultural significance. On Monday, Zia gets tong yun, which represent togetherness. She doesn’t eat them, and no one sits with her at lunch. On Tuesday, she can’t resist taking a bite of cha siu bao, which represent treasure. Then the school librarian appears, letting her know that the book she was waiting for is here. A treasure! Each day, when she eats her special lunch, something wonderful related to the food in question happens, including making a new friend to share her cheung fun (meaning: heartwarming) with on Thursday. By Friday, she brings some of everything to share with her classmates, who seem to have all had a sudden change of heart. Chen’s colorful colored pencil and digital artwork is delightful, accentuating the expressive features of Zia and her diverse classmates and making the Cantonese dishes mouthwateringly appealing. Picture books that grapple with feeling embarrassed at lunchtime are plentiful, but this is an excellent vehicle for introducing some essential dishes and Chinese culture in a new way. (This book was reviewed digitally.)

A delicious take on a familiar trope. (recipe for Zia’s Lucky Yi Mein, author’s note, list of foods, glossary) (Picture book. 4-8)

Pub Date: Feb. 7, 2023

ISBN: 978-0-593-42542-8

Page Count: 40

Publisher: Knopf

Review Posted Online: Nov. 28, 2022

Kirkus Reviews Issue: Dec. 15, 2022

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THE HUMBLE PIE

From the Food Group series

A flavorful call to action sure to spur young introverts.

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In this latest slice in the Food Group series, Humble Pie learns to stand up to a busy friend who’s taking advantage of his pal’s hard work on the sidelines.

Jake the Cake and Humble Pie are good friends. Where Pie is content to toil in the background, Jake happily shines in the spotlight. Alert readers will notice that Pie’s always right there, too, getting A-pluses and skiing expertly just behind—while also doing the support work that keeps every school and social project humming. “Fact: Nobody notices pie when there’s cake nearby!” When the two friends pair up for a science project, things begin well. But when the overcommitted Jake makes excuse after excuse, showing up late or not at all, a panicked Pie realizes that they won’t finish in time. When Jake finally shows up on the night before the project’s due, Pie courageously confronts him. “And for once, I wasn’t going to sugarcoat it.” The friends talk it out and collaborate through the night for the project’s successful presentation in class the next day. John and Oswald’s winning recipe—plentiful puns and delightful visual jokes—has yielded another treat here. The narration does skew didactic as it wraps up: “There’s nothing wrong with having a tough conversation, asking for help, or making sure you’re being treated fairly.” But it’s all good fun, in service of some gentle lessons about social-emotional development.

A flavorful call to action sure to spur young introverts. (Picture book. 4-8)

Pub Date: Nov. 4, 2025

ISBN: 9780063469730

Page Count: 40

Publisher: Harper/HarperCollins

Review Posted Online: Aug. 16, 2025

Kirkus Reviews Issue: Sept. 15, 2025

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PIRATES DON'T TAKE BATHS

Echoes of Runaway Bunny color this exchange between a bath-averse piglet and his patient mother. Using a strategy that would probably be a nonstarter in real life, the mother deflects her stubborn offspring’s string of bath-free occupational conceits with appeals to reason: “Pirates NEVER EVER take baths!” “Pirates don’t get seasick either. But you do.” “Yeesh. I’m an astronaut, okay?” “Well, it is hard to bathe in zero gravity. It’s hard to poop and pee in zero gravity too!” And so on, until Mom’s enticing promise of treasure in the deep sea persuades her little Treasure Hunter to take a dive. Chunky figures surrounded by lots of bright white space in Segal’s minimally detailed watercolors keep the visuals as simple as the plotline. The language isn’t quite as basic, though, and as it rendered entirely in dialogue—Mother Pig’s lines are italicized—adult readers will have to work hard at their vocal characterizations for it to make any sense. Moreover, younger audiences (any audiences, come to that) may wonder what the piggy’s watery closing “EUREKA!!!” is all about too. Not particularly persuasive, but this might coax a few young porkers to get their trotters into the tub. (Picture book. 4-6)

Pub Date: March 1, 2011

ISBN: 978-0-399-25425-3

Page Count: 32

Publisher: Philomel

Review Posted Online: Jan. 25, 2011

Kirkus Reviews Issue: Feb. 1, 2011

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