A bumpy, bloody road trip into a dark past and darker present from a writer who may have what it takes to become a genre...
Breezy, cooly violent action debut featuring a two-fisted, pistol-packing tough gal courier chased by bad guys across a shattered, washed-up-and-left-for-dead American heartland.
Shortly after she gets word that her hard-drinking, drug-smuggling, Vietnam vet father has died, Allie Kerry imagines she'll make some easy money when she gets a call from her slick Key West Cuban handler Joey to pick up a computer disk at a seedy bar near Seattle and drive it in her '69 Mustang down to Houston. At the seedy bar, before she can show off her pool-shooting artistry, the man with the disk is shot in the head and Allie is placing expert kicks in the groins of shadowy assailants. Dodging bullets, she blows out of town and begins a darkly atmospheric road trip through blasted Indian reservations and creaky backwoods shacks where her edgy, boondocks noir friends offer rude hospitality and strange tales of dirty deeds done back during the Vietnam War. The disk, it turns out, contains a crude computer game featuring a former CIA agent whose murder was made to resemble an accidental drowning. Win the game, and the location of a dastardly, hush-hush CIA-sanctioned Vietnam killing spree is revealed. Did her father play a role in this or other wartime atrocities? The secret is in a box of photographs hidden back home in Key West, where Allie next flees, bad guys in pursuit. First-novelist Siler's technique of layering then-scenes of Allie's wrong-side-of-the-tracks childhood with now-scenes of violence grows tiresome in places, as does her predictable tendency to have the baddies pounce just when Allie's memories of her towering father are clearest. After unloading her contempt for the craven sins of her parents' generation, though, Slier speeds her narrative to a slam-bang, tin-roof shootout that succeeds at being both cinematic and realistic.
A bumpy, bloody road trip into a dark past and darker present from a writer who may have what it takes to become a genre star.Pub Date: Jan. 1, 1999
ISBN: 0-8050-6025-1
Page Count: -
Publisher: Henry Holt
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Nov. 1, 1998
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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