by Jenny Siler ‧ RELEASE DATE: Jan. 11, 2001
Tightly plotted, thoroughly enjoyable, angst-filled: a tough-gal follow-up to Siler’s excellent Easy Money (1999).
A smart, sexy repo-lady battles Russian hoods, a nasty hit-girl, and her dysfunctional family’s uncertain past in what should be the first in a bang-up series.
Meg Gardner grew up on the right side of the tracks in Missoula, Montana, until her mother shot her lawyer father for having one-too-many affairs with Indians whose legal matters he’d been representing. After a few years of living on the lam—including a stretch in a New Mexico prison for stabbing a former boyfriend—Meg, just shy of her 30th birthday, is back in town, trying to live straight by snatching vehicles from deadbeats who are too deep in debt to GMAC. Meg barely flinches as the stabbed and frozen corpse of one of those deadbeats, tourist excursion pilot Clay Bennett, is fished out of a river as she drives away with Bennett’s Jeep Cherokee. Two Indians have been arrested for the crime, one a young girl named Red Deer, who Meg fears may have be one of her father’s illegitimate children. After a warm night with her Czech boyfriend Kristof, Meg is wondering about the contents of a briefcase Bennett left in the Jeep when Russian mobster Ivan Popov smacks her around and makes off with it. Before Meg’s bruises heal, she’s threatened by a knife-wielding woman in a leather jacket who demands a map that Bennett had hidden somewhere. Meg investigates and discovers that way back in the 1950s Bennett went down in a plane crash somewhere in the Montana mountains. He walked away from it alive but has been searching obsessively for the remains of the aircraft ever since. Along the way, Meg calls on her brain-damaged father, visits several trailer park weirdos from her past, and resolves to hold her own in the wild, lonely, treacherously broken world her parents’ generation has made.
Tightly plotted, thoroughly enjoyable, angst-filled: a tough-gal follow-up to Siler’s excellent Easy Money (1999).Pub Date: Jan. 11, 2001
ISBN: 0-8050-6438-9
Page Count: 246
Publisher: Henry Holt
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 15, 2000
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by Jr.,Myles J. Connor with Jenny Siler
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by Jenny Siler
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by Jenny Siler
by Max Brooks ‧ RELEASE DATE: June 16, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
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New York Times Bestseller
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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by Alex Michaelides ‧ RELEASE DATE: Feb. 5, 2019
Amateurish, with a twist savvy readers will see coming from a mile away.
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67
New York Times Bestseller
IndieBound Bestseller
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
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